Archives

Works by Henry Fourès and Pascal Dusapin

Works by James Alexandropoulos-McEwan, Malika Kishino, Per Nørgård, Iannis Xenakis and Mioko Yokoyam

Works by Jenny Jokela / Sebastian Hilli, Tania León, Samir Odeh-Tamimi and Philip Venables

Works by Jenny Jokela / Sebastian Hilli, Rebecca Saunders and Pablo Garretón

dans le cadre des sorties d’ateliers de l’académie

dans le cadre des sorties d’ateliers de l’académie

dans le cadre des sorties d’ateliers de l’académie

chaired by Augusta Read Thomas and Marie-Ange Nguci

by Elena Rykova, Sebastian Hilli, Jenny Jokela and Øyvind Torvund

as part of the Musiques-Fictions collection

by Claudia Jane Scroccaro, Clemens Gadenstätter, Francesca Verunelli and Yan Maresz

Works by Mioko Yokoyama, Malika Kishino and Iannis Xenakis

conducted by Hannu Lintu

as part of the Musiques-Fictions collection

Discover Xenakis’ universe during a special evening event at the BPI!

as part of the Musiques-Fictions collection

by Philippe Manoury

by Pierre Jodlowski

Rencontres professionnelles pour la diffusion de la création musicale

by /nu/thing and ExperiensS

by Stefano Gervasoni

as part of the Musiques-Fictions collection

as part of the Musiques-Fictions collection

as part of the Musiques-Fictions collection

as part of the Musiques-Fictions collection

as part of the Musiques-Fictions collection

by Johannes Maria Staud

with the Ensemble Orchestral Contemporain conducted by Bruno Mantovani

by Stefano Gervasoni

Diversity and Inclusion in Vocal Technologies

by Jean-Luc Hervé

by Alexander Schubert

by Stefano Gervasoni

with Pierre Carré, Elsa Kiourtsoglou, Makis Solomos and the collectif /nu/thing

by Clara Iannotta and Kevin Juillerat

with Alice Cohen-Hadria, Judith Deschamps, Catherine Dufour, Pierre Jodlowski and Alain Prochiantz

conducted by Lin Liao

The Philharmonie de Paris celebrates Iannis Xenakis

Follow IRCAM’s festival in different spaces throughout the BPI

by Bill Fontana

by Zoé Aegerter, Georges Aperghis, Fabien Bourlier and Didem Coskunseven

by Jean-Luc Hervé

as part of the Beaux-Arts de Paris' Supersonique Chair, in collaboration with Ircam

Interpretation by Nicholas Isherwood

The Musiques-Fictions combine a contemporary text, a musical creation, and a collective experience o

Learn to use Max via Ableton Live

by Jean-Luc Hervé

Release of the magazine Circuit - musique contemporaine, Vol. 32

Interpretation by Nicholas Isherwood

Interpretation by Nicholas Isherwood

Forêt de Bambous

by Steve Lehman and Frédéric Maurin

Interpretation by Nicholas Isherwood

Discover and master the basics of OMax & DYCI2

Works by Luis Naón, Clara Iannotta and Giulia Lorusso

Discover and master the basics of IRCAM’s Spatialisator

by Lorenzo Bianchi Hoesch

An international meeting for artistic and musical research

An introduction to IRCAM's technologies

by Marc monnet, Francesco Filidei, Ivan Fedele and Lara Morciano

by d'Anja Hilling and Nuria Giménez-Comas

The multiple facets of the concept of the network in artistic creation

Improve your knowledge and mastery of Max

by Rebecca Saunders, Sivan Eldar, Lawrence Dunn and Adrien Trybucki

The Musiques-Fictions combine a contemporary text, a musical creation, and a collective experience o

The Musiques-Fictions combine a contemporary text, a musical creation, and a collective experience o

by Annie Ernaux and Marie NDiaye

Wide selection of Hassan Khan's work in a setting designed by the artist himself

Quelle est la place du réseau dans la société actuelle, innervée par les réseaux sociaux ?

Works by Rachel Beja, Zeno Baldi, Diana Soh, Sylvain Marty and Agostino Di Scipio

Ciné-concert, music by Martin Matalon

Musics by Christophe de Coudenhove, Steve Lehman, Frédéric Maurin (Premieres)

A filmed essay, a performance, a transformation, a portrait gallery, and overlapping narratives

by Sivan Eldar

Musics by Philippe Hurel, Allain Gaussin, Clara Olivares (Premieres), Tristan Murail

Dialogues with Bertrand Denzler and Jean-Luc Guionnet

by d'Anja Hilling and Nuria Giménez-Comas

A part of the NOVA_XX Biennial, dedicated to technological, scientific and artistic intricacy, in th

by d'Anja Hilling and Nuria Giménez-Comas

Learn the basics of programming in Max

by de Maylis de Kérangal, Annie Ernaux, Céline Minard, Anja Hilling, Lydie Salvayre and Marie NDiaye

by d'Anja Hilling and Nuria Giménez-Comas

by Like Flesh

3 days to understand and master IRCAM’s physical modeling software

by d'Anja Hilling and Nuria Giménez-Comas

Musics by Beat Furrer, Ying Wang (Premieres) abd Philippe Manoury, with the Quatuor Diotima

by de Maylis de Kérangal, Annie Ernaux, Céline Minard, Lydie Salvayre and Marie NDiaye

Discover Computer-Assisted Composition – From Calculations to Music

by Bernhard Lang

Musics by Yan Maresz, Jug Marković, Sofia Avramidou, SCHNITT & Franck Vigroux/Kurt d’Haeseleer

by Daniele Ghisi

Music by Mayu Hirano

A collaborative artistic research project by the composers Natasha Barrett, Nadine Schütz, and Andre

by Rebecca Saunders and Sivan Eldar

Come and test the prototype of IRCAM's next installation, and participate in its development!

An evening in the series “Vinciane Despret, avec qui venez-vous ?” at the Centre Pompidou

by Brice Pauset et AROTIN & SERGHEI

Learn the basics of programming in Max

Ciné-concert, music by Martin Matalon

with TOVEL and 1024 architecture

by Luxury Logico et Andrea Cera

by Rebecca Saunders and Sivan Eldar

Learn the basics of programming in Max

by Francesco Filidei

de Pierre Jodlowski

by Francesco Filidei

by Luis Naón

by Francesco Filidei

de Pierre Jodlowski

by Misato Mochizuki

An experiment on the frontiers between human/animal with artists, researchers, actors, musicians

Introduction to TS2, specialized in time-stretching & transposition

by Robert H. P. Platz

Works by Yves Chauris, Brice Pauset, Yann Robin (Premieres), Beat Furrer, Pierre Boulez

de Pierre Jodlowski

Discover the courses offered at IRCAM and how to sign up

by Rebecca Saunders