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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Musiques-Fictions n°4: Nostalgie 2175 de Anja Hilling








Sat 18 June 2022,
3:30 p.m., Sun 19 June 2022,
3:30 p.m., Mon 20 June 2022,
8 p.m., Sat 25 June 2022,
3:30 p.m.
T2G - Théâtre de Gennevilliers
Downloads

programme-musiques-fictions.pdf

Prices

Per session : 5 €

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Creation
Installation






Musiques-Fictions n°4: Nostalgie 2175 de Anja Hilling

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Premiere 2022
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After a catastrophe in 2101, the temperature on earth reaches 60 degrees. Humans can no longer live without protective clothing and women can no longer give birth without losing their lives. While she is in love with Taschko, whose burned body can no longer be touched, Pagona finds herself pregnant by another man. This dystopia, a turbulent and violent world, is the basis of the dialogue between director and translator Anne Montfort and composer Nuria Giménez Comas.

Anja Hilling text
Núria Giménez Comas composition, commissioned by IRCAM-Centre Pompidou, and production
Anne Monfort adaptation
Jérémie Bourgogne sound engineering
Jean-Claude Berutti et Silvia Berutti-Ronelt traduction

With the voices of Judith Henry (Pagona), Thomas Blanchard (Taschko), Jean-Baptiste Verquin (Posch), and music recorded by musicians from the ensemble L’Instant Donné : Mayu Sato-Bremaud flute and Mathieu Steffanus clarinet

The Musiques-Fictions collection merges a contemporary text, a musical creation, and the collective experience of immersive listening under an ambisonic dome. The musical creation is in perfect contact with the literary work. The language has all the intelligibility; the music has a space of its own. The Musiques-Fictions intend to renew the genre of radio fiction, the Hörspiel, the vigil, by going beyond the simple sound illustration of the story or the dialogue. Music-fictions where the image is not a screen.

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  • https://theatredegennevilliers.fr/
Coproduction IRCAM-Centre Pompidou, day-for-night. With the support of the Sacem and the Centre national de la musique.
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
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