• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • ManiFeste-2026 Festival Academy
      • In Situ Dance Film Composition
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    ManiFeste-2026 Festival Academy

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    The Festival Academy (June 1-27): Monday June 15 to Saturday June 27, 2026
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    Manifesto for musical creation and the performing arts, a manifesto for artistic forms that are experimental, pioneering, and also popular, ManiFeste is Paris’s spring festival. It brings music into dialogue with other disciplines such as theater, dance, digital arts, and visual arts.

    Alongside the festival, the ManiFeste Academy welcomes around one hundred composers, performers, and auditors from across the globe each year. Participants benefit from a unique artistic and technological environment, as well as significant public exposure through workshop presentations.

    In 2026, the Academy will host:

    • Composer  Sivan Eldar for a solo and electronic workshop based on texts by Laura Vazquez, featuring Ensemble intercontemporain soloists Renaud Déjardin, Valeria Kafelnikov, and Lucas Ounissi
    • Belgian composer and filmmaker Thierry De Mey for an In Situ workshop devoted to composing for dance films he created in collaboration with choreographers such as Anne Teresa De Keersmaeker, Michèle Anne De Mey, and William Forsythe, with the Belgian collective BL!NDMAN
    • Italian composer Mauro Lanza for an In Situ workshop devoted to electronic composition, in collaboration with IRCAM’s teams
    • French conductor Pierre Bleuse and the musicians of the Ensemble intercontemporain, who will mentor the young performers of the ULYSSES Ensemble and the NEXT Ensemble from the Conservatoire de Paris in preparing an ambitious program centered on Fado Errático by Stefano Gervasoni.

    Over the course of two weeks, the Academy also offers master classes and composition courses led by invited composers and artists, by those presenting new works at the ManiFeste 2026 festival, and by composers in artistic residency at IRCAM.

    The program is further enriched by presentations from researchers of the STMS Joint Research Unit (CNRS, Sorbonne University, Ministry of Culture, and IRCAM), as well as by hackathon sessions that draw on the latest innovations developed in IRCAM’s studios.

    Participants, whether active or auditing, are invited to:

    • attend rehearsals of composition workshops and interpretation master classes
    • follow courses led by guest composers, artists, and musicians
    • access the outstanding resources from IRCAM’s multimedia library
    • attend all Academy workshop presentations and master classes free of charge
    • enjoy special ticket rates for the ManiFeste 2026 concerts taking place from June 1—27, 2026 in Paris, Créteil, and Enghien-les-Bains

    The 14th edition of the festival is supported by key partners in culture and higher education, including the Conservatoire national supérieur de musique et de danse de Paris, the Council on International Educational Exchange (U.S. universities), the École nationale supérieure Louis-Lumière, the Ensemble intercontemporain (associate ensemble of the Academy), and the ULYSSES Platform, co-funded by the European Union.

    Edit

    In Situ Dance Film Composition

    Composition Workshop

    In Situ Electronic Composition

    Composition Workshop

    Solo and electronics

    Composition Workshop

    2026 Auditors

    • Le chef Georg Köhler et la pianiste Marie-Ange Nguci, répétition de la Finale du Prix Élan 2022, ManiFeste-2022  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Le chef Georg Köhler et la pianiste Marie-Ange Nguci, répétition de la Finale du Prix Élan 2022, ManiFeste-2022 © Ircam - Centre Pompidou, photo : Quentin Chevrier
    • Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
    • Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
    • Finale du Prix Élan 2022, répétitions, ManiFeste-2022  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Finale du Prix Élan 2022, répétitions, ManiFeste-2022 © Ircam - Centre Pompidou, photo : Quentin Chevrier
    • Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
    • Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
      Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
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