• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
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Creative Dynamics

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Creative Dynamics

Instruments of improvisation

Temporalité et spatialité musicales de la conscience morbide

Les cas Barraqué et Zimmermann

ABC_DJ

Artist-to-business-to-business-to-Consumer Audio branding System

ACIDS

Artificial Creative Intelligence and Data Science

ACTOR

Analysis, Creation, and Teaching of Orchestration

ALCOLL

Anlayse the collective in the musical creation processes

Computer-Assisted Composition (OpenMusic)

Design models techniques adapted to the creative process, incorporating paradigms for calculations as well as musical interactions and representations

Cosima

Collaborative Situated Media

DYCI2

Creative Dynamics for Improvised Interaction

EFFICAC(e)

Extended Frameworks For 'In-Time' Computer-Aided Composition

EV-Sound

Research and Design of the 2nd Generation Sound Signature for Electric Vehicles

Gemme

Musical Gesture: Models and Experiments

History of Acoustics in France

A reconstitution of the networks of institutions, actors, and instruments involved in the history of sound

Houle

Hierarchical Object based Unsupervised Learning

Improvised Musical Interactions - OMax & Co

Development of improvised man-machine musical interactions

Inedit

Interactivity in Writing of Interaction and Time

MAKIMOno

Create the first partnership of a true scientific theory of orchestration

Mathematics and Music

Algebraic Models, Topologies, and Categories in Computational Musicology

MERCI

Mixed Musical Reality with Creative Instruments

MICA

Musical Improvisation and Collective Action

Multimedia Publication Tools for Musicology

Standardize the original formats of multimedia publications on music

Orchestration

Comparison of the state of the art in musicology, in psychology of perception, and in computer music to create new tools

Orchestration Assistance

Tool to assist orchestration that is integrated in the software created at IRCAM

RapidMix

Real-time Adaptive Prototyping for Industrial Design of Multimodal Interactive eXpressive technology

REACH

Raising Co-Creativity in Cyber-Human Musicianship

Sample Orchestrator

Produce new applications based on content management and manipulation of sample banks

Sample Orchestrator 2

Create innovative functions intended for a new generation of software samplers

Tell the music

Sixty six years of composers written works (1950-2020)

Theories of Musical Composition of the 20th Century

Collective reference publication on the compositional theories

Vertigo

Encourages synergies between artists and R&D projects in the field of ICT supporting innovation

Wave

Web Audio: Editing/Visualization

Writing for Sound and Space

New approach to the representation of sounds via high-level programs

Writing Timed Interactions and Musical Synchronizations

Definition of complex interactions between performers and live electronics

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