• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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Creative Dynamics

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Creative Dynamics

ACIDS

Artificial Creative Intelligence and Data Science

ACTOR

Analysis, Creation, and Teaching of Orchestration

Algorithmic Agency

Algorithmic Biases and Aesthetic Injustices in the Age of Digital Platforms

Analyzing Temporal Flexibility in Collective Musical Practices

Compose (with) Space

Computer-Assisted Composition

Orchestration via an automatic search of instrumentation and layering instruments approaching a target defined by the composer

Computer Assisted Composition: Writing Sound, Time, and Space

Design models techniques adapted to the creative process, incorporating paradigms for calculations as well as musical interactions and representations

DAFNE+

Decentralized platform for fair creative content distribution empowering creators and communities through new digital distribution models based on digital tokens

DeTOX

Fight against fake videos of French personalities

Distributed and Interactive Sound Systems

Development of tools dedicated to the implementation of sound and interactive systems

DOTS

Distributed Music Objects for Collective Interaction

(DYCI2) Creative Agents, Improvised Interactions, and “Meta-Composition”

Creative Dynamics for Improvised Interaction

EXOVOICES

Virtual Reading of Children's Stories: Expressive and Cognitive Aspects of Synthesized Voice

GRIAMI

Group for Interdisciplinary Research on Musical and Interartistic Acts

Instruments of Improvisation

Mathematics and Music

Algebraic Models, Topologies, and Categories in Computational Musicology

MERCI

Mixed Musical Reality with Creative Instruments

MICA

Musical Improvisation and Collective Action

Music & Fun

Interviews, analyses and experiments around the works and practices whose aim is to arouse amusement

Music & Illness

Studying how musical works reflect mental or somatic pathologies

Philosophy and Digital Sound

RAMHO

Musical Research and Acoustics in France after 1945: An Oral History

REACH

Raising Co-Creativity in Cyber-Human Musicianship

REVOLT

REvealing human bias with real Time VOcal deep fakes

Synthesis of Directionality by Corpus

Tell the music

Sixty six years of composers written works (1950-2020)

Urban and Landscape Composition

Wasabi

Web Audio Semantic Aggregated in the Browser for Indexation

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