• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Images of a Work Collection






    Images of a Work Collection

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    A collection includes 29 films
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    Since 2007, IRCAM’s Department of Education and Cultural Outreach has presented one or two films a year on a work in production with electronics produced in the institute’s studios. The series is produced in collaboration with the Centre Pompidou. The films are screened before the work’s premiere and are accompanied by a meeting with the composer and film crew.

    Examining the different steps in creating a piece, watching a composer at work, understanding the sources and issues surrounding recent creations produced at IRCAM: these are the subjects of the “Images of a Work” series. It decodes the creative process of a musical work and lets us in to the inner workings of IRCAM. It shows the involvement of different actors (composer, musicians, computer music designers, scientists, ect.) in the elaboration of a musical project and their various work situations (personal studio, research period, tests, recordings, rehearsals with musicians and other artists, etc.)

    This collection sheds light on the aesthetic, technological, and scientific aspects of a work in progress. The films are part of a global educational effort that accompanies the audience, the listener, in their understanding of a musical work and how the technology and research developed at IRCAM serve an artistic project.

    >#1: Stèles d'air by Jérôme Combier
    Director: Jérôme Combier and Pierre Nouvel (2007)

    >#16: Germination by Jean-Luc Hervé
    Director: Philippe Langlois and Christian Bahier (2013)

    >#2: Le Grand Dehors by Pierre Jodlowski
    Director: Maÿlis Dupont and Lionel Escama (2007)

    >#17: Te craindre en ton absence by Hèctor Parra
    Director: Antoine Pecqueur and Christian Bahier (2014)

    >#3: Océan by Philipp Maintz
    Director: Nicolas Donin and Lionel Escama (2008)

    >#18: Quid sit musicus ? by Philippe Leroux
    Director: Thierry Paul Benizeau (2014)

    >#4: Dans le mur by Georges Aperghis
    Director: Nicolas Donin and Benoît Martin (2008)

    >#19: Tour à Tour by Philippe Hurel
    Director: Thierry Paul Benizeau (2015)

    >#5: Deux caprices pour percussion by Luis Naón
    Director: Maÿlis Dupont and Jérôme Polidor (2008)

    >#20: Notturno sulle corde vuote by Francesco Filidei
    Director: Véronique Caye and Philippe Langlois (2016)

    >#6: Les temps tiraillés by Myriam Gourfink and Georg Friedrich Haas
    Director: Martin Kaltenecker and Christian Bahier (2009)

    >#21: SIMPLEXITY la beauté du geste by Thierry De Mey
    Director: Philippe Langlois, in collaboration with Yves Pezet, Aliocha and Boris Van der Avoort (2016)

    >#7: L'électronique de chambre by Marco Stroppa
    Director: Nicolas Donin and Benoît Martin (2009)

    >#22: Infinite Now by Chaya Czernowin
    Director: Marie Losier (2017)

    >#8: Le père by Michael Jarrell
    Director: Laurent Feneyrou and Benoît Martin (2010)

    >#23: La Princesse légère by Violeta Cruz
    Director: Natacha Nisic and Anne Montaron (2018)

    >#9: Un Mage en été by Olivier Cadiot & Ludovic Lagarde
    Director: Marion Stouffet and Benoît Martin (2010)

    >#24: Epigram by Franck Bedrossian
    Director: Véronique Caye and Philippe Langlois (2018)

    >#10: Tensio by Philippe Manoury
    Director: Martin Kaltenecker and Christian Bahier (2010)

    >#25 : Eror (The Pianist) by Georgia Spiropoulos
    Director: Sabine Massenet, in collaboration with François-Xavier Féron (2019)

    >#11: Quartett by Luca Francesconi
    Director: Nicolas Donin and Benoît Martin (2011)

    > #26 : De Tinieblas by Stefano Gervasoni
    Director: Véronique Caye and Philippe Langlois

    >#12: La pierre et l'étang (...les temps...) by Ivan Fedele
    Director: Jérémie Szpirglas and Christian Bahier (2011)

    >#27 : Canzoniere, I et II by Marta Gentilucci
    Director: Isabelle Ingold and Vivianne Perelmuter, in collaboration with Michèle Tosi (2021)

    >#13: Luna Park de Georges Aperghis
    Director: Nicolas Donin and Benoît Martin (2011)

    > #28 : Like flesh by Sivan Eldar
    Director: Christian Barani, in collaboration with Philippe Langlois.

    >#14: Inferno by Yann Robin
    Director: Pierre Rigaudière and Christian Bahier (2012)

    >#29 : Ex Machina by Steve Lehman & Frédéric Maurin
    Director: Catherine Radosa, in collaboration with Philippe Langlois.

    >#15: Assemblage by Roque Rivas
    Director: Nicolas Donin and Benoît Martin (2012)

    The entire collection on the Ressources website

    Edit

    Lastest trailers of "Images of Work"

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      Trailer - Images of Work #29: "Ex Machina" by Steve Lehman and Frédéric Maurin
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      Trailer - Images of Work #28: "Like flesh" by Sivan Eldar
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      Trailer - Images of Work #27: "Canzoniere" by Marta Gentilucci
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      Trailer - Images of Work #26: "De Tinieblas" by Stefano Gervasoni
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      Trailer - Images of a Work #25 : "EROR (The pianist)" by Georgia Spiropoulos
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