• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
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    • Deena Abdelwahed in the studio
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    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
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    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    • Max, Max for Live
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    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
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    • Career Discovery Visit
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    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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  • Artistic Research Residency
  • Artistic Residencies: The Blog
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    .The artistic residency blog

    News
    Creation

    Rémi Fox & Jérôme Nika 4/4 : In Order of Appearence

    The opening track of the duo's album "C'est pour ça", to be released in the coming months, "In order of appearance" offers new insight into the possibilities of DYCI2 agents as they are combined thro…
    News
    Creation

    Rémi Fox & Jérôme Nika 3/4 : Live Music (In Athens)

    Article
    “I've noticed it more and more while working with Jérôme Nika," says Rémi Fox. “Saying 'Let's meet and improvise' can work once, sometimes twice, with a bit of luck and the magic of improvisation. Bu…
    News
    Creation

    Rémi Fox & Jérôme Nika 2/4 : Continuing 20 Years of Research

    Article
    Carried out by saxophonist Rémi Fox and researcher/musician Jérôme Nika, the "Artificial Hippocampus" project is the result of nearly 20 years of research by the Musical Representations team, under t…
    News
    Creation

    Rémi Fox & Jérôme Nika 1/4 : Artificial Hippocampus

    Article
    For half a dozen years, saxophonist Rémi Fox has been a guinea pig - but a voluntary one. It is thus voluntarily that, periodically, he goes to the underground of Ircam to submit to the experiments o…
    News
    Creation

    Critical Climate Machine 4/4 : Skeptical Science

    Article
    For his Critical Climate Machine - and especially for the algorithmic portion of the analysis of the climatoskeptic arguments which makes up the raw material of this "data sculpture" - Gaëtan Robilla…
    News
    Creation

    Critical Climate Machine 3/4 : Composing with Dyci2

    Article
    Controlled by Gaëtan Robillard and Dionysios Papanikolaou, the generation engine OM-DYCI2—developed by Jérôme Nika, a member of the Musical Representations team—was fed with 34 dialogues, made up of …
    News
    Creation

    Critical Climate Machine 2/4 : Dyci2 in the climate machine

    Article
    Gaëtan Robillard adds an important element to the sound space of the artwork: Critical Climate Machine. Today we focus on the sound material used and the way it is sculpted in space.
    News
    Creation

    Gaëtan Robillard 1/4 : Data-portrait of climate scepticism

    Article
    Data, sets of data: it's practically all we talk about these days. They are the prism through which we view reality, they inform and motivate decisions. We mine them like coal, we extract them, we ex…
    News
    Creation

    Maxime Mantovani 5/5 : Showcase

    Article
    On March 23rd, Maxime Mantovani offered the public of the IRCAM's Forum Workshops their first glimpse of his work on his interface for real-time control of synthesis models generated by artificial in…
    News
    Creation

    Maxime Mantovani 4/4 : Interface

    Article
    Maxime Mantovani's artistic research residency is structured around two aspects: one is software, around an AI for real-time audio synthesis, and the other is hardware, to design a control interface …
    News
    Creation

    Maxime Mantovani 3/5 : An Improvisation

    Article
    On December 21, Maxime Mantovani was in the studio with Henri-Charles Caget on percussion and Victor Auffray on flugabone, for a session of improvisations for tests of the device he is working on, wh…
    News
    Creation

    Maxime Mantovani 2/5 : Meeting with Philippe Esling

    Article
    As part of his artistic research residency, Maxime Mantovani is developing an organic control interface for a sound synthesis engine using artificial intelligence models. A proposal that came at the …
    News
    Creation

    Maxime Mantovani 1/5 : Associating the organological gesture with AI

    Article
    Maxime Mantovani's compositional approach is closely linked to new technologies. Very early on, he created his own computer tools and developed his own electro-acoustic lutheries designed to control …
    News
    Creation

    Astérismes 4/4 : The System’s Compositional Constraints

    Article
    During her artistic research residency on a a distributed sound diffusion device "Astérisms" with researcher Jean-Philippe Lambert, composer Aki Ito has produced a few pieces that are used both for t…
    News
    Creation

    Astérismes 3/4 : Too Many Interactions Destroy the Interaction

    Article
    On Friday March 25th, during the IRCAM Forum Workshops, Aki Ito and Jean-Philippe Lambert gave a demonstration of their "Asterisms" project, and tested, on the small audience gathered for the occasio…
    News
    Creation

    Astérismes 2/4 : Experimenting with collective sound interaction research

    Article
    One of the sine qua non conditions for the acceptance of an artistic research residency project at Ircam is that the technological stakes of the project resonate with the concerns of the research tea…
    News
    Creation

    Astérismes 1/4 : Aki Ito & Jean-Philippe Lambert

    Article
    The very name they have given to their project reveals its origins: Asterisms. It is indeed a question of stars and their delicate mechanics.
    News
    Creation

    Judith Deschamps 3/4 : Recomposing Farinelli

    Article
    As already mentioned, Judith Deschamps is a visual artist. When she became interested in the figure of Farinelli and the aria Quell'usignolo che innamorato that the castrato sang every night to the K…
    News
    Creation

    Judith Deschamps 4/4 : The Molt

    Article
    This is the nature of research, whether artistic or scientific, and perhaps what makes it so fascinating: we know what we are looking for, much more rarely what we will find. In this case, during her…
    News
    Creation

    Judith Deschamps 2/4 : AI at all levels

    Article
    In the Sound Analysis & Synthesis team, Judith Deschamps benefits from the combined talents of two researchers: research director Axel Roebel and doctoral student Frederik Bous, to recreate a rea…
    News
    Creation

    Judith Deschamps 1/4 : Imitating Farinelli's Nightingale

    Article
    Apart from the recurrent gender issues in her creative practice, nothing destined the artist Judith Deschamps to be interested in Farinelli. The artist has no medium of choice, but she is not a music…
    News
    Creation

    Michelle Agnes Magalhaes : The Gesture of Gesture

    Article
    Since 2012, Brazilian composer Michelle Agnes Magalhaes has been present at IRCAM several times. She has been a member of the research teams as a doctoral and post-doctoral research fellow, then an a…
    News
    Creation

    Lorenzo Bianchi Hoesch : Proxemic Field

    Article
    This image is so common that we no longer pay much attention to it, an image that is often synonymous with isolation, or even a desire to abstract oneself from one's surroundings: a passer-by with a …
    News
    Creation

    Jean-Etienne Sotty – Augmented Accordion

    Article
    "Accordez, accordez / accordez donc / L'accordéon / en microtons": Gainsbourg would have to change the lyrics of his song, now that Jean-Etienne Sotty has come along. The accordionist has ‘augmented'…
    News
    Creation

    "Artistic research offers alternative paths to scientific methods"

    Article
    Markus Noisternig is a researcher in acoustics and signal processing at IRCAM at the joint research lab STMS. For nearly 15 years, he has been actively contributing to the development of 3D sound rec…
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