• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
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    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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    .The artistic residency blog

    News
    Creation

    Rémi Fox & Jérôme Nika 3/4 : Live Music (In Athens)

    Article
    “I've noticed it more and more while working with Jérôme Nika," says Rémi Fox. “Saying 'Let's meet and improvise' can work once, sometimes twice, with a bit of luck and the magic of improvisation. Bu…
    News
    Creation

    Rémi Fox & Jérôme Nika 2/4 : Continuing 20 Years of Research

    Article
    Carried out by saxophonist Rémi Fox and researcher/musician Jérôme Nika, the "Artificial Hippocampus" project is the result of nearly 20 years of research by the Musical Representations team, under t…
    News
    Creation

    Rémi Fox & Jérôme Nika 1/4 : Artificial Hippocampus

    Article
    For half a dozen years, saxophonist Rémi Fox has been a guinea pig - but a voluntary one. It is thus voluntarily that, periodically, he goes to the underground of Ircam to submit to the experiments o…
    News
    Creation

    Critical Climate Machine 3/4 : Composing with Dyci2

    Article
    Controlled by Gaëtan Robillard and Dionysios Papanikolaou, the generation engine OM-DYCI2—developed by Jérôme Nika, a member of the Musical Representations team—was fed with 34 dialogues, made up of …
    News
    Creation

    Critical Climate Machine 2/4 : DYCI2 in the climate machine

    Article
    Gaëtan Robillard adds an important element to the sound space of the artwork: Critical Climate Machine. Today we focus on the sound material used and the way it is sculpted in space.
    News
    Creation

    Gaëtan Robillard 1/4 : Data-portrait of climate scepticism

    Article
    Data, sets of data: it's practically all we talk about these days. They are the prism through which we view reality, they inform and motivate decisions. We mine them like coal, we extract them, we ex…
    News
    Creation

    Maxime Mantovani 3/4 : An Improvisation

    Article
    On December 21, Maxime Mantovani was in the studio with Henri-Charles Caget on percussion and Victor Auffray on flugabone, for a session of improvisations for tests of the device he is working on, wh…
    News
    Creation

    Maxime Mantovani 2/4 : Meeting with Philippe Esling

    Article
    As part of his artistic research residency, Maxime Mantovani is developing an organic control interface for a sound synthesis engine using artificial intelligence models. A proposal that came at the …
    News
    Creation

    Maxime Mantovani 1/4 : Associating the organological gesture with AI

    Article
    Maxime Mantovani's compositional approach is closely linked to new technologies. Very early on, he created his own computer tools and developed his own electro-acoustic lutheries designed to control …
    News
    Creation

    Aki Ito & Jean-Philippe Lambert 2/4 : Experimenting with collective sound interaction research

    Article
    One of the sine qua non conditions for the acceptance of an artistic research residency project at Ircam is that the technological stakes of the project resonate with the concerns of the research tea…
    News
    Creation

    Aki Ito & Jean-Philippe Lambert 1/4 : Astérismes

    Article
    The very name they have given to their project reveals its origins: Asterisms. It is indeed a question of stars and their delicate mechanics.
    News
    Creation

    Judith Deschamps : Imitating Farinelli's Nightingale

    Article
    Apart from the recurrent gender issues in her creative practice, nothing destined the artist Judith Deschamps to be interested in Farinelli. The artist has no medium of choice, but she is not a music…
    News
    Creation

    Judith Deschamps : AI at all levels

    Article
    In the Sound Analysis & Synthesis team, Judith Deschamps benefits from the combined talents of two researchers: research director Axel Roebel and doctoral student Frederik Bous, to recreate a rea…
    News
    Creation

    Michelle Agnes Magalhaes : The Gesture of Gesture

    Article
    Since 2012, Brazilian composer Michelle Agnes Magalhaes has been present at IRCAM several times. She has been a member of the research teams as a doctoral and post-doctoral research fellow, then an a…
    News
    Creation

    Lorenzo Bianchi Hoesch : Proxemic Field

    Article
    This image is so common that we no longer pay much attention to it, an image that is often synonymous with isolation, or even a desire to abstract oneself from one's surroundings: a passer-by with a …
    News
    Creation

    Jean-Etienne Sotty – Augmented Accordion

    Article
    "Accordez, accordez / accordez donc / L'accordéon / en microtons": Gainsbourg would have to change the lyrics of his song, now that Jean-Etienne Sotty has come along. The accordionist has ‘augmented'…
    News
    Creation

    "Artistic research offers alternative paths to scientific methods"

    Article
    Markus Noisternig is a researcher in acoustics and signal processing at IRCAM at the joint research lab STMS. For nearly 15 years, he has been actively contributing to the development of 3D sound rec…
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