• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
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    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
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    • L'Annonce faite à Marie
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    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
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  • Max, Max for Live
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  • Modalys
  • Sound spatialization
  • Designing Audio Experiences on the Web
  • Interact, Compose, Improvise with Generative Agents
  • Other training programs
  • Practical Information






    Practical Information

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    Information and registration

    01 44 78 47 60 | info-pedagogie(at)ircam.fr
    Cursus Program on Composition and Computer Music, contact and information

    To request a personalised quote, please fill in the online questionnaire for each training course you wish to attend, available on the program page or by clicking on the "reserve" button.

    The registration process is outlined in our General Terms and Conditions.

    This guide informs you about the possibilities of taking charge of our professional training according to your professional situation and explains the steps to take.

    Accessibility

    For more information about accessibility, please contact us at info-pedagogie (@) ircam.fr

    Special Prices for IRCAM Forum Members

    Forum members with a Forum Premium subscription receive a 30% discount on the full price for the current season (unless your training is paid for by an external organization).

    Special Student Prices

    Students are entitled to a 50% discount on all our classes (may not be combined with another offer).

    Training program

    Some details of the training programs may be modified as a result of changes in the software on which they are based.

    Reception and Instructors

    The training sessions take place at IRCAM from 10am to 1pm and from 2:30pm to 5:30pm in a classroom equipped with 10 Mac computers with all the necessary software installed for the training course, headphones, and MIDI keyboards. Depending on the needs of each course, other spaces may be made available to the participants, notably studios with all the technical and sound equipment necessary for the course to run smoothly.

    Classes are taught by instructors specialized in teaching music creation software developed at IRCAM: Simone Conforti, Jean Lochard, Grégoire Lorieux, Sébastien Naves, Johannes Regnier, Claudia Scroccaro (IRCAM teaching team), IRCAM researchers and engineer, as well as invited guest speakers.

    Online Training

    Information on how to connect to our training platform and instructions to follow online courses will be sent directly to each participant. The date for a technical session held before the training program will be indicated on the class confirmation.

    We ask that students download the software necessary for the class prior to training and have a good internet connection in order to get the most out of their training program. We recommend using two screens for these programs.

    Language Level

    To follow the training courses, the trainees must have a knowledge of the language in which the training is conducted, both spoken and written, at least equal to level B2 of the Common European Framework of Reference for Languages (CEFR)

    Educational Resources

    Training format: the training sessions alternate between theoretical presentations, the study of examples to be analyzed, and practical hands-on work.
    Teaching aids: video-projected presentations as well as paper and pdf course materials. Additional materials will be provided as needed.
    Educational Platform: Moodle

    Supervision

    Placement questionnaire
    Reception on the first day of the training from 9:45 am
    Attendance is monitored by signing an attendance sheet for each half-day
    Delivery of a certificate of completion of the training and the results of the evaluations are provided at the end of the training
    Satisfaction Survey

    Assesment

    Evaluations may be carried out on an ongoing basis or at the end of the course.

    Cancellation

    The conditions of cancellation of a training course by the participant or by Ircam are outlined in our General Terms and Conditions.

    Complaints

    For any complaints, please contact IRCAM through our online complaint form.

    Quality and Certification


    La certification qualité a été délivrée au titre de la catégorie d’actions suivante :
    ACTIONS DE FORMATION

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    • L'entrée de l'Ircam  © Philippe Barbosa
      L'entrée de l'Ircam © Philippe Barbosa
    • Dans le studio 1 de l'Ircam  © Philippe Barbosa
      Dans le studio 1 de l'Ircam © Philippe Barbosa
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