• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
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    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
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    • Analysis of Musical Practices
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
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    • Murcof in the studio
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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • ULYSSES Ensemble
  • Auditors






    Auditors

    Edit






    The academy welcomes and trains many young composers, performers, and listeners from all over the world to benefit from our large-scale artistic and technological environment and a large public audience during the workshops.

    The Academy will provide an opportunity for auditors (composers, musicians, musicologists, teachers, researchers...):

    • to attend rehearsals of composition workshops and performance master classes
    • to follow the courses of the composers, artists, musicians and invited musicians
    • to access the exceptional documentary collection of the IRCAM library
    • to attend all the academy workshops and master classes concerts, free of charge
    • to benefit from special rates for ManiFeste-2025 festival concerts
    • to meet artists and participants in the academy.

    Conditions

    Registration fees: 200 €. These fees cover the entire academy (June 16—28, 2025).   The fees are due in full, even if the auditor does not participate in the entire academy. Registration fees are due in full on Tuesday, May 13, 2025.

    The academy does not offer any scholarships or housing. Participants must find their own housing.

    Applications

    There is no age limit.

    Application deadline Tuesday, May 6, 2025
    Applicants will receive a response by email

    Teachers who wish to attend the academy with a group of students are requested to contact academy (@) ircam.fr

    Applicants must send to academie (@) ircam.fr an e.mail, with following information and documents, object “ManiFeste-2025 academy: auditor application – LAS TNAME First name”:

    • Personal information:
      • First name, last name
      • Gender
      • Date of birth
      • Citizenship
      • Address
      • Mobile phone number
      • Jpeg photo of the applicant’s face that can be used by IRCAM for access badges and academy documents
    • A CV (pdf) indicating their name, date of birth, nationality, profession, contacts, photo
    • A letter of motivation indicating the applicant’s name, date of birth, nationality, profession

    Edit
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