- Research
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, ...
- Creation
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
- Transmission
In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.
- Training Courses
- Max, Max for Live, Jitter
- OpenMusic
- AudioSculpt
- Sound Spatialization
- Modalys
- Sound Design
- Sensors, Interfaces, and Interactive Machine Learning for Music
- Designing Audio Experiences on the Web
- Advanced Programs
- Cursus Program on Composition and Computer Music
- Sound Design Master's Program
- Master ATIAM
- Music Doctorate
- School Programs
- Studios of Creation
- Mixed-Music
- Artistic and Cultural Education
- Career Discovery Visit
- Images of a Work Collection
- Innovations
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
- News Headlines
- Magazine
- Briefs
Colloque
"L'évolution culturelle de la musique" avec les chercheurs Sam Mehr, Nicolas Baumard et le...
Jeudi 18 avril 15h à l'IrcamForum Vertigo Live
Retrouvez toutes les conférences du Forum Vertigo sur notre chaine Youtube.
Follow the third day!Exhibition in the Librairy
Plonger dans l’histoire des œuvres créées avec les logiciels du forum :...
Exhibition until April, 19Portrait d'un chercheur
Thibaut Carpentier, chercheur au sein de l'équipe Espaces acoustiques et cognitifs de l'Ir...
À voir !There are only a few days to apply for the ManiFeste-2019 Academy!
For the ULYSSES Ensemble
You have until Janvier 29, 2019!IRCAM wishes you a happy 2019!
L'Ircam et toutes ses équipes vous souhaite une bonne année 2019 !
Greeting cardInterview with Chloë Abbott, the trumpet of the ULYSSES Ensemble in 2017 and 2018
Interview de Chloë Abbott, la trompettiste de l’Ensemble ULYSSES en 2017 et 2018
To read on ULYSSES Platform - Mediasvideo
La Princesse légère (The Light Princess)
The creation of La Princesse légère lets Violeta Cruz and Jos Houben find their inner child. This...
- Research
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, ...
- Creation
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
- Transmission
In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.
- Training Courses
- Max, Max for Live, Jitter
- OpenMusic
- AudioSculpt
- Sound Spatialization
- Modalys
- Sound Design
- Sensors, Interfaces, and Interactive Machine Learning for Music
- Designing Audio Experiences on the Web
- Advanced Programs
- Cursus Program on Composition and Computer Music
- Sound Design Master's Program
- Master ATIAM
- Music Doctorate
- School Programs
- Studios of Creation
- Mixed-Music
- Artistic and Cultural Education
- Career Discovery Visit
- Images of a Work Collection
- Innovations
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.