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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Lucerne Festival: Boulez & young composers








Sat 23 August 2025,
9 p.m.
Festival de Lucerne, KKL Luzern Concert Hall, Lucerne, Suisse
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Lucerne Festival: Boulez & young composers

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As part of Lucerne Festival Academy
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Instead of works, Pierre Boulez composed networks. “For me, a musical idea is like a seed: you plant it in a certain soil and suddenly it multiplies like a weed,” he once remarked. When Boulez weaves a delicate fabric of gentle trills, quivering tremolos, and sparkling arpeggios in Dérive 1, he draws on the same six-note sequence that underlies two other scores: Messagesquisse and Répons. To mark the occasion of Boulez’s 100th birthday, we will continue weaving these threads into the present: four composers have been asked to write new ensemble works paying tribute to the celebrated artist. The fifth world premiere presented in this concert will be by our composer-in-residence Marco Stroppa, who worked closely with Boulez at IRCAM in Paris. Stroppa juxtaposes the accordion with an “electro-acoustic totem”: a tower of loudspeakers that endows the otherwise intangible electronic sound with an almost human presence.

Ensemble of the Lucerne Festival Contemporary Orchestra 
Participants in the « Contemporary Conducting » Program
conductors
Monica Gil Giraldo
IRCAM electronics
Luca Bagnoli
IRCAM sound diffusion

Marco Stroppa far and wee for electro-acoustic totem, world premiere, commissioned by Lucerne Festival with support from the Fondation Pierre Boulez
Pierre Boulez Dérive 1 for six instruments
Alyssa Regent Ophélia for ensemble, world premiere, commissioned by Lucerne Festival with support from the Fondation Pierre Boulez
Wei-Chieh Lin Impulse. Hommage à Pierre Boulez for ensemble, world premiere, commissioned by Lucerne Festival with support from the Fondation Pierre Boulez
Charles Kwong Mnemosynic Moments for ensemble, world premiere, commissioned by Lucerne Festival with support from the Fondation Pierre Boulez
Piyawat Louilarpprasert Dial-a-Boulez for ensemble, world premiere, commissioned by Lucerne Festival with support from the Fondation Pierre Boulez

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  • https://www.lucernefestival.ch/en/
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