• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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    Mixed-Music

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    A training program in mixed music designed for student musicians and young professional performers
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    Works for acoustic and electronic instruments in real-time are gradually becoming a repertoire in and of their own. IRCAM partners with conservatories, music schools, and instrumental ensembles to organize a series of courses each year for music students and young professional performers. These courses provide an opportunity for the participants to become familiar with the different mechanisms of mixed music and to learn how to play instruments with electronics in new musical situations.

    A true chamber music work between the instrumentalist and their electronic double, the interpretation of a mixed work requires constant listening and a heightened attention to the effect of the instrumental gesture. It raises questions of sound capture, of interaction with the real-time transformation of the performer's playing, of the relationship between the pre-recorded parts and their diffusion, of decentering and spatialization of the sound source.

    The program is structured in three parts:

    1. One or more workshops introducing new technologies for instrumentalists, focusing on sound capture, processing, and diffusion — offering a window into IRCAM’s latest research in instrumental music.
    2. Working sessions on mixed works with the teacher, musical computing engineers, and sometimes the composers involved.
    3. A public presentation of the program worked on throughout the year.

    Mixed Music Program with Pôle Sup’ 93

    For several years, IRCAM and the Pôle supérieur d’enseignement artistique Aubervilliers - La Courneuve - Seine-Saint-Denis (known as “Pôle Sup’93”) have developed a program allowing 5 to 6 students in the musician-performer curriculum (DNSPM) at Pôle Sup’93 each year to discover and work on mixed music works alongside IRCAM’s computer music designers and sound engineers.

    This educational initiative addresses the specific challenges and stakes of performing mixed music. It takes place over several sessions (studying the instrumental and electronic score, playing with electronics at IRCAM) between October and April, culminating in a public concert as part of IRCAM’s artistic season.

    Pedagogical Advisors
    IRCAM Grégoire Lorieux, João Svidzinski
    Pôle Sup’93 Matteo Cesari

    To set up a mixed music program in your institution (instrumental ensembles, conservatory instrumental classes, music schools, etc.), please contact us.

    Audience: Music conservatory students, higher education music centers, music schools, or instrumental ensembles.
    Contact: 01 44 78 48 17 | info-pedagogie (at) ircam.fr

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    • Session à l'Ircam  © Ircam-Centre Pompidou, photo : Lauren Lefebvre
      Session à l'Ircam © Ircam-Centre Pompidou, photo : Lauren Lefebvre
    • Matteo Cesari et Grégoire Lorieux  © Pôle Sup'93, photo : Diego Alorda Zelada
      Matteo Cesari et Grégoire Lorieux © Pôle Sup'93, photo : Diego Alorda Zelada
    • Session à l'Ircam  © Pôle Sup'93, photo : Diego Alorda Zelada
      Session à l'Ircam © Pôle Sup'93, photo : Diego Alorda Zelada
    • Session à l'Ircam  © Pôle Sup'93, photo : Diego Alorda Zelada
      Session à l'Ircam © Pôle Sup'93, photo : Diego Alorda Zelada
    • Session à l'Ircam  © Pôle Sup'93, photo : Diego Alorda Zelada
      Session à l'Ircam © Pôle Sup'93, photo : Diego Alorda Zelada
    • Session à l'Ircam  © Pôle Sup'93, photo : Diego Alorda Zelada
      Session à l'Ircam © Pôle Sup'93, photo : Diego Alorda Zelada
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