• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
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    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Transmission
  • 2022.23 Training Courses
  • Transmission
  • 2022.23 Training Courses
      • Max, Max for Live
      • OpenMusic
      • Modalys
      • TS2 and Partiels
      • Sound spatialization
      • From PureData to audio plugins
      • Sensors, Interfaces, and Interactive Machine Learning
      • Other training programs
      • Practical Information
    • Advanced Programs
    • School Programs
    • ManiFeste-2022, the Academy






    2022.23 Training Courses

    Edit






    Public: composers, musicians, sound designers, video editors, technicians, sound engineers, theater and post-production professionals, teachers.

    IRCAM offers a range of training modules tailored from beginner to expert levels, providing participants with the opportunity to discover the music software developed by IRCAM and perfect their skills. This program offers participants the possibility of building their own training program tailored for their needs, combining different modules on the following themes: real-time interaction, sound processing, computer-assisted composition, sound spatialization, sound and music interaction.

    IRCAM trains about 62 students every year. 94.29% of our students are pass the final tests and 97.91% of them are satisfied with the program.

    Certification Max - Levels 1 & 2

    Max certifications are administered at the end of the introductory and advanced training courses. Their purpose is to evaluate participants' level by testing their ability to design, implement, and use applications created with the software. The results obtained will allow us to evaluate participants and determine their level of competence.

    Since 2017, 16 Max certification exam sessions have been held. 74,28% % of the participants passed Max Level 1 and 80,10% passed Max Level 2.

    Distance learning

    In addition to its face-to-face training courses, IRCAM offers online conferencing classes. A selection of these classes are taught in English.

    All classes held on site at IRCAM follow preventitive hygiene practices and guidelines related to the COVID-19 pandemic. In the event that these classes can not be held on site, certain will be taught via an interactive online platform. Information can be found in each class description.

    Cursus Program on Composition and Computer Music

    This programme is intended to train ten composers every year using IRCAM's software applied to musical composition.      
    A progressive 12-month program (from October to September of the following year) allows students to acquire technical and computer autonomy.

    Participation in the Cursus is possible by selection: IRCAM launches a call for applications during the second semester of the current year. Ten participants are selected to follow the course in the fall of the following year.      

    The Cursus program is considered to be continued professional training.
    Contact and information

    Qualité et certification


    La certification qualité a été délivrée au titre de la catégorie d’actions suivante :
    ACTIONS DE FORMATION

    Edit

    Max, Max for Live

    Real-Time Interaction

    OpenMusic

    Computer-Assisted Composition

    Modalys

    Sound Processing

    TS2 and Partiels

    Sound spatialization

    From PureData to audio plugins

    Embedding PureData patches into audio plugins

    Sensors, Interfaces, and Interactive Ma…

    Master Sensors to Program Interactive Sound and Music Syste…

    Other training programs

    Practical Information


    Also discover

    News
    Transmission

    Presentation of our Professional Training Season

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    Find the software course that suits you: beginners or experts, from 2 to 6 days, computer-assisted composition, real-time interaction, sound processing... all aspects of musical creation are covered!…
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