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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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Cursus 2019.20

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The ten composers who followed this year’s Cursus program on composition and computer music at IRCAM presented their musical creations for soloist and electronics. Recorded at the Centre Pompidou (Grande Salle), the creations are available in binaural on IRCAM's Youtube channel.

Part 1

Part 2

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Cursus Concert 19.20

  1. Vallée by Antonio Tules (binaural)
  2. Reach by Kayla Cashetta (binaural)
  3. Paraphrase on "Twinkle, Twinkle, Little Star" by Ko Sahara (binaural)
  4. Existentia by Maxime Mantovani (binaural)
  5. Keep digging the hare hole by Sofia Avramidou (binaural, recorded in 2020)
  6. Her Majesty the Fool (binaural) by Oren Boneh (recorded at the Centre Pompidou, 2020)
  7. The Moth by Fernando Manassero (binaural)
  8. Fragments d'une fin by Paul Ramage (binaural)
  9. Transduced by Justina Repečkaitė (binaural)
  10. I sing the body electric by Claudia Jane Scroccaro (binaural)

The 2019.20 Class

person

Sofia Avramidou

Sofia Avramidou (Greece, b. 1988) is a graduate of the composition department at Aristotle University (Bachelor and Master’s degrees) with honors. She also holds a diploma from the National Academy of Santa Cecilia in Rome, also with honors, where she st…
person

Oren Boneh

Composer Oren Boneh (United States, b. 1991) writes music characterized by its energy and dynamism. Its foundation is made up of vastly contrasting characters, ranging from abrasive and mechanical to humorous and supple. The music plays with listener ex…
person

Kayla Cashetta

Kayla Cashetta (United States, b. 1991) is an American composer whose work revolves around the marriage of analog, digital, and acoustic instruments and practices. She was recently a winner of National Sawdust's inaugural Hildegard Competition (2018) in …
person

Fernando Manassero

Fernando Manassero (Argentine, b. 1984) Fernando composes music for prepared instruments, amplified sound objects, and synthesizers. His work is characterized by its iridescent textures, densely populated by communities of small sound organisms. In this …
person

Maxime Mantovani

Maxime Mantovani (France, b. 1984) is a composer of mixed and electroacoustic music. He holds a Master’s degree in composition from the Conservatoire national supérieur de musique et de danse de Lyon under François Roux, as well as a degree in electronic…
person

Paul Ramage

Paul Ramage (France, b. 1986) is a violinist, improviser, and composer. He began his musical studies at the CRR de Cergy-Pontoise and, after obtaining his diploma of Musical Studies in violin, he entered Denis Dufour and Jonathan Prager’s composition cla…
person

Justina Repečkaitė

Justina Repečkaitė (Lithuania, b.1989) is based in Paris. Justina studied both in Lithuania and France where she discovered her passion for the late medieval culture that influences her music. Justina was an artist in residence at the Singer-Polignac Fou…
person

Ko Sahara

Ko Sahara (Japan, b. 1989) studied composition at the Tokyo University of Music in the classes of Shin-Ichiro Ikebe, Keiko Harada, and Toshio Hosokawa. He continued his training at Tokyo University of the Arts (Geidai) where he obtained a Master's degree…
person

Claudia Jane Scroccaro

Claudia Jane Scroccaro (Italy, b. 1984) obtained her master’s degree in composition at the HMDK Stuttgart, studying composition and electronic music with Marco Stroppa, while attending masterclasses held by Philippe Leroux, Franck Bedrossian and Nicolas …
person

Antonio Tules

Antonio Tules (France, b. 1990) studied composition with Thierry Blondeau at the Conservatoire à rayonnement départemental d'Aulnay-sous-Bois, and in Strasbourg with Philippe Manoury, then Daniel D'Adamo and Tom Mays at the Académie supérieure de musique…
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