• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Transmission
  • Higher Education
  • Cursus Program on Composition and Computer Music
  • Cursus 2021.22
  • Cursus Program on Composition and Computer Music
  • Cursus Syllabus
  • Cursus 2
  • Cursus 2021.22
    • The 2021.22 Class
  • Cursus 2020.21
  • Cursus 2019.20
  • Cursus 2018.19
  • Cursus 2017.18
  • Cursus 2016.17
  • Cursus 2015.16
  • Cursus 2014.15
  • Cursus 2013.14
  • Cursus 2012.13
  • Cursus 2011.12
  • Cursus 2010.11






Cursus 2021.22

Edit

The 2021.22 Class

Selected Composers for Cursus 2021.22

person

Sebastian Adams

Sebastian Adams (Ireland, b. 1991) is an Irish composer, performer and artistic director with broad interests that include experimental text pieces, early music and physical limitations. His output includes everything from orchestral music to installatio…
person

Utku Asuroglu

Utku Asuroglu’s (Turkey, b. 1986) works have been featured at festivals such as Darmstädter Ferienkurse, Donaueschinger Musiktage Next Generation, Gaudeamus Muziekweek, Wittener Tage fur neue Kammermusik, ManiFeste IRCAM, MATA Festival, Royaumont, ISCM W…
person

Basile Chassaing

Trained by Pierre Jodlowski (IRCAM Cursus 2021-2022), Jean-Luc Hervé and Roque Rivas (Pôle Supérieur Paris-Boulogne-Billancourt), and Martin Matalon (CRR93), Basile Chassaing develops his work through three main themes: gesture, the soundscape, and the l…
person

Sachie Kobayashi

Sachie Kobayashi (Japon, née en 1990) a suivi des études de composition à la Haute École de musique de Genève avec Michael Jarrell, Luis Naón et Gilbert Nouno. Elle complète actuellement sa formation par u…
person

Matthias Krüger

Matthias Krüger (Allemagne, né en 1987) a étudié la composition avec notamment Johannes Schöllhorn et Fabien Lévy, ainsi que les langues romanes. Il a reçu de nombreux prix et bourses, dont un 2e prix au conco…
person

Filippos Sakagian

Filippos Sakagian (Greece, b. 1992) is composer and visual artist based in Paris. His most recent works are characterized by his deep interest in Greek and Zoroastrian archaic traditions and esotericism. He is currently studying composition with Stefano …
person

Aida Shirazi

Aida Shirazi (Iran, b. 1987) is a composer of acoustic and electroacoustic music. Her music for solo instruments, voice, ensemble, orchestra, and electronics, mainly focuses on timbre for organizing structures that are often inspired by language and lite…
person

Qingqing Teng

Qingqing Teng (Chine, née en 1990) travaille dans différents champs de la création sonore : musique acousmatique, mixte, électronique expérimentale, installation sonore et musique pour la vidéo d’art. Elle …
person

Di Zhao

Di Zhao (Chine, née en 1995) est diplômée du Xinghai Conservatory of Music en Chine. Elle poursuit sa formation, depuis 2019, à l’University of Music and Performing Arts Stuttgart (HMDK Stuttgart) en Allemagne, aupr&egrav…
person

Julie Zhu

Julie Zhu (Unites-Stated, b. 1990) is a composer, artist, and carillonneur. Her work is visual and aural, operating on an expansive definition of score, striving for the unexpected obvious and expressive absurd. Her scores range from hair cast in clear …
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2023 Ircam. All rights reserved.