The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Sachie Kobayashi (Japon, née en 1990) a suivi des études de composition à la Haute École de musique de Genève avec Michael Jarrell, Luis Naón et Gilbert Nouno. Elle complète actuellement sa formation par un master en pédagogie musicale à l’HEM de Genève.
Au Japon, elle est diplômée de l’université Aoyama Gakuin et de l’université des arts de Tokyo. Elle a étudié avec Akio Yasuraoka et Rikuya Terashima.
Elle est lauréate de plusieurs bourses notamment de la Confédération suisse et de la Fondation Hans Wilsdorf. Elle reçoit également le soutien de l’Agence des affaires culturelles du gouvernement du Japon. Sa musique a été présentée dans le monde entier. Elle a participé à plusieurs festivals et collaboré avec de nombreux ensembles et musiciens notamment l’Ensemble Modern, l’Ensemble Reconcil et le mdi Ensemble.