• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
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    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
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    • Cursus Program on Composition and Computer Music
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    • Master ATIAM
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    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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Rendez-vous in Paris

On tour
16 May to 21 May 2022
Ircam

Reserve

Transmission
Software Training

Max for Live

Learn to use Max via Ableton Live
20 May to 21 May 2022
Beaux-Arts de Paris

Free entry

Transmission
Festival

Multi prises

as part of the Beaux-Arts de Paris' Supersonique Chair, in collaboration with Ircam
8 June to 7 July 2022
Centre Pompidou

Free entry

Creation
Installation

Tact

by Zoé Aegerter, Georges Aperghis, Fabien Bourlier and Didem Coskunseven
8 June to 2 July 2022
Centre Pompidou

Reserve

Creation
Installation

Silent Echoes : Notre-Dame 2022

by Bill Fontana
8 June to 2 July 2022
Centre Pompidou - Bibliothèque publique d'information

Free entry

Creation
Installation

ManiFeste-2022 s'expose à la Bibliothèque publique d'information

Follow IRCAM’s festival in different spaces throughout the BPI
8 June to 26 June 2022
Cité de la musique

Reserve

Creation
Exhibit

Révolutions Xenakis

The Philharmonie de Paris celebrates Iannis Xenakis
8 June to 9 June 2022
Cité de la musique

Reserve

Creation
Concert

Orchestre de Paris / Concert d'ouverture

conducted by Lin Liao
Thursday 9 June 2022
Centre Pompidou

Free entry

Research
Encounter

Fictions-Science: Alan Turing

with Alice Cohen-Hadria, Judith Deschamps, Catherine Dufour, Pierre Jodlowski and Alain Prochiantz
Friday 10 June 2022
Cité de la musique

Reserve

Creation
Concert

Webern +

by Clara Iannotta and Kevin Juillerat
Saturday 11 June 2022
Ircam

Free entry

Creation
Encounter

Le Polytope de Cluny de Iannis Xenakis

with Pierre Carré, Elsa Kiourtsoglou, Makis Solomos and the collectif /nu/thing
Saturday 11 June 2022
Centre Pompidou

Reserve

Creation
Concert

Anima™

by Alexander Schubert
15 June to 17 June 2022
SCAI et Ircam

Reserve

Research
Encounter

Deep Voice, Paris

Diversity and Inclusion in Vocal Technologies
Wednesday 15 June 2022
Centre Pompidou

Reserve

Creation
Concert

Richiamo

with the Ensemble Orchestral Contemporain conducted by Bruno Mantovani
Friday 17 June 2022
Cité de la musique

Reserve

Creation
Concert

Cantates

by Johannes Maria Staud
18 June to 25 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°6: Un pas de chat sauvage de Marie NDiaye

as part of the Musiques-Fictions collection
18 June to 25 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°5: La Compagnie des Spectres de Lydie Salvayre

as part of the Musiques-Fictions collection
18 June to 25 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°4: Nostalgie 2175 de Anja Hilling

as part of the Musiques-Fictions collection
18 June to 25 June 2022
T2G - Théâtre de Gennevilliers
Creation
Installation

Musiques-Fictions n°7: Le Sentiment du monde, adaptation de L'Établi de Robert Linhart

as part of the Musiques-Fictions collection
18 June to 25 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°2: L’autre fille d’Annie Ernaux

as part of the Musiques-Fictions collection
Saturday 18 June 2022
Centre Pompidou

Reserve

Creation
Concert

De Tinieblas

by Stefano Gervasoni
21 June to 2 July 2022
Ircam

Reserve

Creation
Installation

Polytope 2022 / Réouverture de l'Espace de projection

by /nu/thing and ExperiensS
Wednesday 22 June 2022
Cité de la musique

Reserve

Creation
Performance

Alan T.

by Pierre Jodlowski
Thursday 23 June 2022
Philharmonie de Paris

Reserve

Creation
Concert

Sonus ex machina

by Philippe Manoury
Thursday 23 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°3: Bacchantes de Céline Minard

as part of the Musiques-Fictions collection
Friday 24 June 2022
T2G - Théâtre de Gennevilliers

Reserve

Creation
Installation

Musiques-Fictions n°1: Naissance d'un pont de Maylis de Kerangal

as part of the Musiques-Fictions collection
Friday 24 June 2022
Maison de la radio et de la musique

Reserve

Creation
Concert

Orchestre Philharmonique de Radio France

conducted by Hannu Lintu
Saturday 25 June 2022
Le CENTQUATRE-PARIS

Reserve

Transmission
Concert

Ensemble ULYSSES / Xenakis

Works by Mioko Yokoyama, Malika Kishino and Iannis Xenakis
Saturday 25 June 2022
Centre Pompidou

Reserve

Creation
Concert

Alter ego

by Claudia Jane Scroccaro, Clemens Gadenstätter, Francesca Verunelli and Yan Maresz
Monday 27 June 2022
Centre Pompidou

Free entry

Transmission
Installation

Musique-Fiction au lycée

as part of the Musiques-Fictions collection
Thursday 30 June 2022
Centre Pompidou

Reserve

Creation
Concert

Final

by Elena Rykova, Sebastian Hilli, Jenny Jokela and Øyvind Torvund
Friday 1 July 2022
Philharmonie de Paris

Reserve

Transmission
Concert

Prix Élan

chaired by Augusta Read Thomas and Marie-Ange Nguci
Saturday 2 July 2022
Le CENTQUATRE-PARIS

Free entry

Transmission
Concert

Concert de l'atelier des musiques mixtes

dans le cadre des sorties d’ateliers de l’académie
Saturday 2 July 2022
Le CENTQUATRE-PARIS

Reserve

Transmission
Concert

Concert de l'atelier pour ensemble dirigé

dans le cadre des sorties d’ateliers de l’académie
Saturday 2 July 2022
Le CENTQUATRE-PARIS

Reserve

Transmission
Concert

Collaboratory Paris : concert de l’atelier d’improvisation

dans le cadre des sorties d’ateliers de l’académie
20 October to 21 October 2022
Ircam

Reserve

Transmission
Software Training

TS2 & Partiels

Introduction to the software programs TS2 (time stretch, transposition) and Partiels (sound analysis
8 November to 7 December 2022
Ircam

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Transmission
Software Training

Max Initiation in English [online]

Learn the basics of programming in Max
21 November to 26 November 2022
Ircam

Reserve

Transmission
Software Training

Max Initiation (session 1) / Max certification level 1

Learn the basics of programming in Max
1 December to 15 December 2022

Reserve

Transmission
Software Training

OpenMusic in English [online]

Discover Computer-Assisted Composition – From Calculations to Music
4 January to 19 January 2023

Reserve

Transmission
Software Training

Modalys in English [online]

Understand and master IRCAM’s physical modeling software
10 January to 13 January 2023
Ircam

Reserve

Transmission
Software Training

From PureData to audio plugins

Embedding PureData patches into audio plugins
23 January to 28 January 2023
Ircam

Reserve

Transmission
Software Training

Max Initiation (session 2) / Max certification level 1

Learn the basics of programming in Max
7 February to 10 February 2023
Ircam

Reserve

Transmission
Software Training

Initiation to sound spatialization

Discover and master the basics of IRCAM’s Spatialisator
6 March to 11 March 2023
Ircam

Reserve

Transmission
Software Training

Max Intermediate / Max certification level 2

Improve your knowledge and mastery of Max
3 April to 8 April 2023
Ircam

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Transmission
Software Training

Max for Live

Learn to use Max via Ableton Live
9 May to 12 May 2023
Ircam

Reserve

Transmission
Software Training

Sensors, Interfaces, and Interactive Machine Learning for Music

Master Sensors to Program Interactive Sound and Music Systems
On tour
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