• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    • Max, Max for Live
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    • Career Discovery Visit
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    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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Rendez-vous in Paris

On tour
7 February to 10 February 2023
Ircam

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Transmission
Software Training

Initiation to sound spatialization

Discover and master the basics of IRCAM’s Spatialisator
Thursday 16 February 2023
Ircam
Creation
Concert

Spectral-Pop

Carmine Emanuele Cella, Didem Coskunseven, Fausto Romitelli (Premieres) with L'Itinéraire
6 March to 11 March 2023
Ircam

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Transmission
Software Training

Max Intermediate / Max certification level 2

Improve your knowledge and mastery of Max
Friday 17 March 2023
Ircam

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Creation
Concert

Le siècle de Ligeti

Luis Naón, Sasha J. Blondeau (French Premieres), György Ligeti with the Quatuor Diotima
29 March to 31 March 2023
Ircam

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Innovations
Workshop

IRCAM Forum Workshops

An international meeting for artistic and musical research
29 March to 1 April 2023
Ircam

Free entry

Creation
Installation

Insomnia Sketchbook

Sonic and visual performance by LuxuryLogico and Andrea Cera
3 April to 8 April 2023
Ircam

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Transmission
Software Training

Max for Live

Learn to use Max via Ableton Live
5 April to 7 April 2023
Ircam
Research
Encounter

JJCAAS 2023

Journées jeunes chercheurs en audition, acoustique musicale et signal audio
Friday 7 April 2023
Centre Pompidou

Free entry

Research
Encounter

Fictions-Science : Quantifier l'individu et la société

Fictions-Science, a dive into the heart of science and art being made today
11 April to 10 May 2023
Ircam

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Transmission
Software Training

Max Intermediate in English [online]

Improve your knowledge and mastery of Max
12 April to 23 April 2023
Centre Pompidou

Reserve

Creation
Performance

Vimala Pons : Le Périmètre de Denver

by Vimala Pons with Tsirihaka Harrivel
Monday 17 April 2023
Ircam

Reserve

Creation
None

Constellation Nunes

Emmanuel Nunes, Marco Stroppa with L'Instant Donné
9 May to 12 May 2023
Ircam

Reserve

Transmission
Software Training

Sensors, Interfaces, and Interactive Machine Learning for Music

Master Sensors to Program Interactive Sound and Music Systems
19 May to 20 May 2023
Philharmonie de Paris

Reserve

Creation
Cine-concert

Metropolis

Music for orchestra by Martin Matalon for the film Metropolis, by Fritz Lang
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