Rendez-vous in Paris

Presentation of solutions to help tackle misinformation

Stimulate Movement Learning in Humain-Machine Interactions

Méthode de traitement du signal autour de la voix

Introduction to the software programs TS2 (time stretch, transposition) and Partiels (sound analysis

La musique-science devant la question de l'harmonie

Learn the basics of programming in Max

Learn the basics of programming in Max

Discover Computer-Assisted Composition – From Calculations to Music

Beat Furrer, Ying Wang (Premieres), Philippe Manoury with the Quatuor Diotima

by Olga Neuwirth with Ensemble intercontemporain

Understand and master IRCAM’s physical modeling software

Embedding PureData patches into audio plugins

L'Ircam en fête: a series of exceptional events from January 12 to 14

Florent Caron Darras (Premiere), Olivier Messiaen, Natasha Barret with the Ensemble TM+

Learn the basics of programming in Max

Discover and master the basics of IRCAM’s Spatialisator

Carmine Emanuele Cella, Didem Coskunseven, Fausto Romitelli (Premieres) with L'Itinéraire

Improve your knowledge and mastery of Max

Luis Naón, Sasha J. Blondeau (French Premieres), György Ligeti with the Quatuor Diotima

An international meeting for artistic and musical research

Sonic and visual performance by LuxuryLogico and Andrea Cera

Learn to use Max via Ableton Live

Journées jeunes chercheurs en audition, acoustique musicale et signal audio

Fictions-Science, a dive into the heart of science and art being made today

Improve your knowledge and mastery of Max

by Vimala Pons with Tsirihaka Harrivel

Emmanuel Nunes, Marco Stroppa with L'Instant Donné

Master Sensors to Program Interactive Sound and Music Systems

Music for orchestra by Martin Matalon for the film Metropolis, by Fritz Lang