• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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Master ATIAM

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Master sciences et technologies parcours ATIAM - Acoustique, traitement du signal, informatique, appliqués à la musique (Second Year)
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Sorbonne University / ParisTech / IRCAM

The ATIAM (Acoustique, traitement du signal, informatique, appliqués à la musique) Master's program was created by a group of French institutions active in the field of musical research and supported by the French Ministry of Culture. This program offered by Sorbonne University is organized in collaboration with IRCAM and ParisTech. The training is designed for students wishing to acquire the scientific fundamentals and musical knowledge necessary to carry out scientific research for musical applications such as sound signal processing and computer-music.

This program was created over 20 years ago and graduates go on to work primarily in the research and teaching fields, but they can also be found in industries and professional sectors related to music and sound. Since the creation of ATIAM, IRCAM has provided both pedagogical coordination and a venue for the program at the heart of the research labs.

Public  graduates from a Master 1 (or equivalent) - engineering schools, grandes écoles...
Information  01 44 78 48 23 | info-pedagogie(at)ircam.fr
Website Atiam

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Class 2019.20

Ninon Devis, Olivier Birot, Yujia Yang, Hugo Fafin, André de Hillerin, Théo Golvet, Bruno Souchu, Gonzalo Romero, Zitian Gao, Cyril Lavrat, Arthur Terrasse, Victor Paredes, Lydia Rodriguez-de la Nava, Lucas Chaumeny, Alice Rixte, Emmanouil Plitsis, Lenny Renault, Colette Voisembert

Class 2020.21

Léo Carril, Matthieu Hartenstein, Alexandre D’Hooge, Antonin Dudermel, Roy Yakoob al Hakeem, Thomas Risse
Lucie Farcy, Mathilde Abrassart, Zhuomin Liu, David Genova, Sarah Nabi, Théodor Lemerle, Jean-Daniel Pascal
Christophe Weis, Nils Demerlé, Axel Vérité, Pierre Thiel


Class 2018.19

Valentin Bilot, Grégoire Blanc, Antoine Caillon, Jean-Baptiste Dakeyo, Gabriel Dias Neto, Constance Douwes, Théophile Dupré, Martin Fouilleul, Valérian Fraisse, Thibault Geoffroy, Paul Lascabettes, Clément Le Moine Veillon, Robin Malzac, Hugo Manet, Guilhem Marion, Hadrien Marquez, Félix Rohrlich, Yann Teytaut

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