• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
    • Innovative art-science-technology processes
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Master ATIAM

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Master sciences et technologies parcours ATIAM - Acoustique, traitement du signal, informatique, appliqués à la musique (Second Year)
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Apply for the 2025-2026 school year before June 12, 2025! More info

Sorbonne University / Télécom Paris / IRCAM

The ATIAM (Acoustique, traitement du signal, informatique, appliqués à la musique) Master's program was created by a group of French institutions active in the field of musical research and supported by the French Ministry of Culture. This program offered by Sorbonne University is organized in collaboration with IRCAM and ParisTech. The training is designed for students wishing to acquire the scientific fundamentals and musical knowledge necessary to carry out scientific research for musical applications such as sound signal processing and computer-music.

This program was created over 20 years ago and graduates go on to work primarily in the research and teaching fields, but they can also be found in industries and professional sectors related to music and sound. Since the creation of ATIAM, IRCAM has provided both pedagogical coordination and a venue for the program at the heart of the research labs.

Public  graduates from a Master 1 (or equivalent) - engineering schools, grandes écoles...
Information  01 44 78 48 23 | info-pedagogie(at)ircam.fr
Website Atiam

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Class 2019.20

Olivier Birot, Lucas Chaumeny, Ninon Devis, Hugo Fafin, Zitian Gao, Aliénor Golvet, André de Hillerin, Chloé Lavrat, Victor Paredes, Emmanouil Plitsis, Lenny Renault, Alice Rixte, Lydia Rodriguez-de la Nava, Gonzalo Romero, Bruno Souchu, Arthur Terrasse, Colette Voisembert, Yujia Yang


Promotion 2020.21

Florian Angulo, Jules Arbelot, Paul Chable, Nicolas Chabriac, Louis Chouraki, Gabriel Dubus, Jeffery Durand, Yvan Giro, Yu Ji, Rémi Laroche, Dinh-Viet-Toan Le, Georges Le Bellier, Alain Riou, Victor Salvador, Joshua Tuckey, Jérémy Uzan, Argan Verrier, Pierre Warion


Class 2020.21

Léo Carril, Matthieu Hartenstein, Alexandre D’Hooge, Antonin Dudermel, Roy Yakoob al Hakeem, Thomas Risse
Lucie Farcy, Mathilde Abrassart, Zhuomin Liu, David Genova, Sarah Nabi, Théodor Lemerle, Jean-Daniel Pascal
Christophe Weis, Nils Demerlé, Axel Vérité, Pierre Thiel


Class 2022.23

Hugo Audas, Clémentine Bergé, Victor Bigand, Gabriela Bittencourt, Romain Caron,  Léo Chédin, Pierre Chouteau, Henri Desvallées, Malena Fouillou, Louis Lalay, Mathilde Lefebvre, Ulysse Lefeuvre, Quentin Le Gall, Ivan Meresman Higgs, Théo Nguyen, Côme Peladeau, Amélie Picard, Armand Schwarz


Class 2018.19

Valentin Bilot, Grégoire Blanc, Antoine Caillon, Jean-Baptiste Dakeyo, Gabriel Dias Neto, Constance Douwes, Théophile Dupré, Martin Fouilleul, Valérian Fraisse, Thibault Geoffroy, Paul Lascabettes, Clément Le Moine Veillon, Robin Malzac, Hugo Manet, Guilhem Marion, Hadrien Marquez, Félix Rohrlich, Yann Teytaut


Promotion 2023.24

Étienne André, Hugo Audas, Pablo Dumenil, Paul Estève, Charlotte Fernandez, Pharoah Jardin, Sébastien Li, Aurélien Manté, Tom Oviste, Alexandre Philippon, Alfred Picard, Victor Piton, Benjamin Quiédeville, Antoine Souchaud, Enguérand Tamagna et Paul triana.

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