• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
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    • Industrial Licenses
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Sound Workshop

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Sound Workshop

iMuSciCA

Educational project that intends to improve the acquisition of scientific skills in secondary-level education

3DR3

Room Impulse Response Renderer

3DTVS

Study of techniques for description of 3D audiovisual contents

AI4Media

A European Excellence Centre for Media, Society and Democracy

Analysis of a Sound Scene through Spherical arrays of Transducers

ATRIM

Analyseur temps-réel haute précision de justesse et de timbre pour instruments musicaux

Augmented instrument-making

Prototypes of musical instruments, or components of musical instruments, that can be used in concert have been produced in this project

Automatic Music Indexing

Automatic extraction of musical descriptors for a piece of music

AVATARS

Artificial Voice production: control of bio-inspired port-hAmilToniAn numeRical and mechatronic modelS

BiLi

Binaural Listening

Binaural reproduction technology

BRUEL

ElaBoRation d’Une méthodologie d’EvaLuation des systèmes d’identification par la voix

Cagima

global Acoustic Conception of Reed Musical Instruments, In Tune and Homogeneous

Computer-Assisted Composition (Orchids)

Orchestration via an automatic search of instrumentation and layering instruments approaching a target defined by the composer

Corpus-Based Concatenative Synthesis

Database of recorded sounds and a unit selection algorithm

Effective Searches of Temporal Series

Code that makes it possible to carry out effective searches on temporal forms

FuturePulse

FuturePulse: Multimodal Predictive Analytics and Recommendation Services for the Music Industry

INFIDHEM

Interconnected inFInite-Dimensional systems for HEterogeneous Media

INSPECTSYN

Speech-in-noise INtelligibility Deficits: Designing Psychophysical and Electrophysiological Markers of SPECTral-Shape Coding Sensitive to Cochlear SYNaptopathy

Modeling Audio Flows and the Geometry of Information

New paradigms for audio signal processing and representation

MouVie

Mobility and Quality of Life in Urban Areas

Music & Hacking

Find points of intersection between the hacker culture and today’s music

ORPHEUS

Object Based Broadcasting

Processing by Phase Vocoder

Techniques for the analysis and transformation of sounds

ROUTE

Robot à l'écoute

The Augmented Instruments

Acoustic instruments that have been fitted with sensors

Wasabi

Web Audio Semantic Aggregated in the Browser for Indexation

WFS and Ambisonic Systems in the Espace de Projection

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