• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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News

News
Research

New Sound Spaces

Média
Transpose, Transport, Transform: 3 episodes to better understand new forms of sound spatialization. Using 3 very different artistic projects, discover how artists appropriate the latest sound spatial…
News
Creation

ManiFeste-2022, trailer

Média
Concerts, shows, installations, participative science, the ManiFeste festival showcases the multiple voices of musical creation: 24 events and 36 premieres from June 8 to July 2 at IRCAM, the Centre …
News
Creation

ManiFeste-2022, June 8—July 2

Article
Concerts, performances, installations, interactive science, the ManiFeste festival brings together the many voices of musical creation: 24 events and 36 premieres. Discover the program!
News
Innovations

MediaFutures: selected projects for next phase

Article
From augmented reality dinosaurs to deep fake CCTV: Artists and startups using data to tackle misinformation challenges.
News
Creation

The playlist of the ManiFeste-2022 festival!

On the program: the revolution of the orchestra through electronics, of music through Webern, of science through Alan Turing; the anniversaries of Kaija Saariaho and Philippe Manoury; artificial inte…
News
Research

Emmanuel Ponsot, the Science of Hearing

Article
Emmanuel Ponsot joined the Perception and Sound Design team in the STMS lab (IRCAM/CNRS/Sorbonne University/Ministry of Culture). This article, in French on the CNRS website, focuses on his research.
News
Research

1'30 en Stravinsky avec Alice Cohen-Hadria, chercheuse et maîtresse de conférence

Média
Chercheuse au sein de l'équipe Analyse et synthèse des sons au sein du laboratoire STMS (Ircam/CNRS/Sorbonne Université/Ministère de la Culture) et maîtresse de conf…
News
Innovations

IRCAM Tutorials: Rave and nn~

Média
RAVE is a signal generator, which is both high-quality (48kHz generation) and blazingly-fast (25x realtime on CPU). Compared to previous (DDSP) approaches, we can generate any type of sounds (polypho…
News
Creation

Michelle Agnes Magalhaes : The Gesture of Gesture

Article
Since 2012, Brazilian composer Michelle Agnes Magalhaes has been present at IRCAM several times. She has been a member of the research teams as a doctoral and post-doctoral research fellow, then an a…
News
Creation

Lorenzo Bianchi Hoesch : Proxemic Field

Article
This image is so common that we no longer pay much attention to it, an image that is often synonymous with isolation, or even a desire to abstract oneself from one's surroundings: a passer-by with a …
News
Creation

In April, we're listening to...

Playlist of the month
Giulia Lorusso, Maxime Mantovani, Sina Fallahzadeh, Sivan Eldar, Juan José Eslava
News
Creation

How well do you know the Espro?

Article
Located in the heart of the Place Stravinsky building, the Espace de projection (otherwise known as the Espro) is the place where IRCAM and the public meet, a unique space whose acoustics and scenogr…
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