• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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Finished Projects

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Finished Projects

3DR3

Room Impulse Response Renderer

3DTVS

Study of techniques for description of 3D audiovisual contents

ABC_DJ

Artist-to-business-to-business-to-Consumer Audio branding System

ALCOLL

Anlayse the collective in the musical creation processes

Analysis of a Sound Scene through Spherical arrays of Transducers

ANIMAGLOTTE

Artificial System of Ex Vivo Animation of the Larynx

Audioself

Contribution of audio and vestibular interactions in the perception of our own body

Auditory spatial cognition

Étude de processus d’intégration multisensorielle

Augmented Paper for CAC

Identify the possible musical applications that can come from the link between the computer support and augmented paper.

Automatic Music Indexing

Automatic extraction of musical descriptors for a piece of music

BiLi

Binaural Listening

Binaural reproduction technology

Cagima

global Acoustic Conception of Reed Musical Instruments, In Tune and Homogeneous

ChaNTeR

Real-time controlled digital singing

CoMo-Vox

CoMo-Choeur

Cosima

Collaborative Situated Media

Cream

Cracking the Emotional Code of Music

Dyci2

Creative Dynamics for Improvised Interaction

Effective Searches of Temporal Series

Code that makes it possible to carry out effective searches on temporal forms

EFFICAC(e)

Extended Frameworks For 'In-Time' Computer-Aided Composition

ENTRECORPS

Study the mechanisms of interpersonal coordination in public human interactions.

EV-Sound

Research and Design of the 2nd Generation Sound Signature for Electric Vehicles

Gemme

Musical Gesture: Models and Experiments

Gesture analysIs and RecognItIon

Study of instrumental gesture and its relationship with both musical writing and the characteristics of the sound signal

HC2

Human Computer Confluence Research in Action

History of Acoustics in France

A reconstitution of the networks of institutions, actors, and instruments involved in the history of sound

Houle

Hierarchical Object based Unsupervised Learning

Improvised Musical Interactions - OMax & Co

Development of improvised man-machine musical interactions

Inedit

Interactivity in Writing of Interaction and Time

Legos

Sensori-motor learning in gesture-based interactive sound systems

MAKIMOno

Create the first partnership of a true scientific theory of orchestration

MIM

Enhancing Motion Interaction through Music Performance

Modeling Audio Flows and the Geometry of Information

New paradigms for audio signal processing and representation

MouVie

Mobility and Quality of Life in Urban Areas

Multimedia Publication Tools for Musicology

Standardize the original formats of multimedia publications on music

Music Bricks

Musical Building Blocks for Digital Makers and Content Creators

Music & Hacking

Find points of intersection between the hacker culture and today’s music

Orchestration

Comparison of the state of the art in musicology, in psychology of perception, and in computer music to create new tools

Orchestration Assistance

Tool to assist orchestration that is integrated in the software created at IRCAM

ORPHEUS

Object Based Broadcasting

RapidMix

Real-time Adaptive Prototyping for Industrial Design of Multimodal Interactive eXpressive technology

Reva

Virtual Reality and Tinnitus

ROUTE

Robot à l'écoute

Sample Orchestrator

Produce new applications based on content management and manipulation of sample banks

Sample Orchestrator 2

Create innovative functions intended for a new generation of software samplers

Skat-VG

Sketching Audio Technologies using Vocalizations and Gestures

Symbioz

Renault Symbioz Sound Design

Theories of Musical Composition of the 20th Century

Collective reference publication on the compositional theories

Vertigo

Encourages synergies between artists and R&D projects in the field of ICT supporting innovation

Verve

Personalised Virtual Reality Scenarios for Groups at Risk of Social Exclusion

Wave

Web Audio: Editing/Visualization

Writing for Sound and Space

New approach to the representation of sounds via high-level programs

Writing Timed Interactions and Musical Synchronizations

Definition of complex interactions between performers and live electronics

Temporalité et spatialité musicales de la conscience morbide

Les cas Barraqué et Zimmermann

iMuSciCA

Educational project that intends to improve the acquisition of scientific skills in secondary-level education

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