• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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Sound Systems and Signals: Audio/Acoustics, InstruMents

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The team Sound Systems and Signals : Audio/Acoustics, InstruMents creates theoretical, technological, and experimental tools based on multiphysic systems and the sound signals they produce.
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The team is interested in exploring, understanding, reproducing, and inventing sound objects in audio, acoustics, focusing on musical instruments and the production of the human voice. 

More precisely, the objectives are to model, simulate, identify, and optimize these systems (voice, musician/instrument, loudspeakers, audio electronic effects, etc.) using physics to reveal and benefit from heir intrinsic structures. The team creates methods for analysis, transformation, control, and simulation of sounds as well as tools to
assist conception in virtual, real, or hybrid paradigms. 

This global approach, “systems and signals” creates a synergy in the conception of these tools, connecting—not merely juxtaposing—several disciplines and scientific fields: physics, theory of systems and control, differential geometry, numerical analysis, signal processing, computer science, electronics, mechatronics, and robotics. 

Target applications concern scientific, artistic, educational, and healthcare domains.

Major Themes

  • Physical modeling of musical instruments and voice
  • Sound synthesis based on physical modeling
  • Modeling physical audio systems and loudspeakers
  • Experimental robotic platforms: robotic bow, robotic artificial mouth to play brass instruments, robotic  apparatus at a 1:1 scale
  • Identification of non-linear systems
  • Control of non-linear systems and historical objects
  • Augmented instruments, hybrid instruments
  • Augmented lutherie

Specialist Areas

Acoustics, mechanics, non-linear systems, automatic and control, signal theory, differential geometry, digital analysis, experimentation, mechatronics, real and virtual instrument-making, sound synthesis.

Team Website

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  • © Philippe Barbosa
    © Philippe Barbosa
  • © Philippe Barbosa
    © Philippe Barbosa
  • © Philippe Barbosa
    © Philippe Barbosa

Collaborations

Athena-RIC (Greece), Cabrilog SAS (France), Cambridge University (United Kingdom), C2RMF-Louvre, C2RMF et Louvre-Lens (Paris), Centre Bernoulli-EPFL (Switzerland),  CHU Liège, EPCC-Edinburgh Univ. (United Kingdom), GIPSA-lab (Grenoble), IJLRA-Sorbonne Université (Paris), IMJPRG-Sorbonne Université (Paris), Imperial College London (United Kingdom), ISAE-SUPAÉRO (Toulouse), LAGEP-université Lyon-1 (Lyon), LaSiE-université de la La Rochelle (France), LEOPOLY (Hongrie), LMA-CNRS (Marseille), LMD-ENS (Paris),  Mines ParisTech (Paris), Musée de la musique - Philharmonie de Paris, NTNU (Trondheim, Norway), Thalès Group (France).


Research topics and related projects

Augmented instrument-making

Prototypes of musical instruments, or components of musical instruments, that can be used in concert have been produced in this project

The Augmented Instruments

Acoustic instruments that have been fitted with sensors

European and national projects

ATRIM

Analyseur temps-réel haute précision de justesse et de timbre pour instruments musicaux

AVATARS

Artificial Voice production: control of bio-inspired port-hAmilToniAn numeRical and mechatronic modelS

DAFNE+

Decentralized platform for fair creative content distribution empowering creators and communities through new digital distribution models based on digital tokens

INFIDHEM

Interconnected inFInite-Dimensional systems for HEterogeneous Media

Ondes Martenot

Virtualisation d’instruments de musique électroniques et clonage analogique/numérique de composants pour la conservation

Wasabi

Web Audio Semantic Aggregated in the Browser for Indexation

Organologie des harpes pharaoniques



Softwares (design & development)

product

Modalys

free
Modalys is an environment that lets users create unheard of virtual instruments based on simple physical objects such as strings, plates, tubes, membranes, plectrum, bows, or hammers, and making them interact. It is possible to construct objects with complex forms using a threedimensional mesh or resulting from measurements.
download
product

The Snail-Absolute Tuning

Offers novel ways of tuning a musical instrument, working on intonation, and visualizing music and sounds in real time.
learn morebuy

Team


Head Researcher : Thomas Hélie
Researchers & Engineers : Marc Wijnand, David Roze, Charles Picasso, Robert Piéchaud
Doctoral Students : Thomas Risse, Vincent Martos, Loïc Forma, Alexis Thibault
Trainee : Victor Bigand
Guest Researcher : Brigitte d'Andréa-Novel
Doctoral Student : Colette Voisembert

Collaborations

Athena-RIC (Greece), Cabrilog SAS (France), Cambridge University (United Kingdom), C2RMF-Louvre, C2RMF et Louvre-Lens (Paris), Centre Bernoulli-EPFL (Switzerland),  CHU Liège, EPCC-Edinburgh Univ. (United Kingdom), GIPSA-lab (Grenoble), IJLRA-Sorbonne Université (Paris), IMJPRG-Sorbonne Université (Paris), Imperial College London (United Kingdom), ISAE-SUPAÉRO (Toulouse), LAGEP-université Lyon-1 (Lyon), LaSiE-université de la La Rochelle (France), LEOPOLY (Hongrie), LMA-CNRS (Marseille), LMD-ENS (Paris),  Mines ParisTech (Paris), Musée de la musique - Philharmonie de Paris, NTNU (Trondheim, Norway), Thalès Group (France).


Publications

Also discover

News
Research

Thomas Hélie: "We model instruments, musicians, and the signals they produce”

Article
Physical modelling, digital analysis of sounds, identification of signals: the Sound Systems and Signals: Audio/Acoustic, Instruments team at IRCAM unravels the mechanisms of sound production by all …
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