• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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    Max, Max for Live

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    Real-Time Interaction
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    Immerse yourself in musical and artistic interactivity with Max and Max for Live.

    Mastering real-time interactive tools is essential for artists, musicians, dancers, and multimedia performers. Max and Max for Live represent a major advancement in the design of immersive experiences, enabling dynamic interactions between machines and artists. Whether for stage performances, multimedia installations, or innovative sound environments, these tools provide exceptional creative freedom.

    With Max, users can program interactive MIDI and audio applications, paving the way for real-time performances. Max for Live extends these possibilities to the live stage for Ableton users, allowing electronic musicians, DJs, and performers to push the boundaries of their creativity.

    In 2024, the IRCAM Max Level 1 certification had a 79% pass rate, while Level 2 had a 70% pass rate, with 97% of trainees reporting satisfaction with their training.

    All trainees who completed our Max for Live training achieved the educational objectives set—either fully or in large part—according to end-of-training evaluations. This success is underscored by a 100% satisfaction rate, reflecting the high quality of teaching and support provided.

    Max IRCAM Certificate Max - Levels 1 & 2

    Taken at the end of the Max classes (Initiation or Intermediate), the IRCAM Certificates assess participants' proficiency in Max by evaluating their ability to design, implement, and use applications built with the software. The results are used to position trainees on a structured skills scale.

    What people are saying

    "The Max for Live workshop opened my eyes to creative possibilities that I never knew existed. What I learned during the course provided me with a solid foundation to continue my progression on my own. I am very happy with my course. I would recommend it to anyone in the music business", Arthur, student, Introduction to Max for Live

    “An exceptional introductory course to Max, led by an expert tutor with in-depth knowledge of the world of Max and its many applications. All in a prestigious setting with perfectly equipped facilities. An experience I highly recommend!” David, graphic designer and musician, Max Initiation

    "Excellent training, leading to a real understanding and mastery of the software after a week. The program remains very intense and requires great attention from the participant, each lesson is important." Matthieu, PhD student, Max Initiation

    "This is an excellent course for those who would like to strengthen their patching skill and expand their understanding of Max." Tianyi, student, Max Intermediate, Online

    “High-quality training with an excellent teacher who is knowledgeable in his field, attentive, a good educator, and very generous in sharing his knowledge.” Edgar, computer science student, Max Advanced training

    "The "Max perfectionnement" training is very rewarding, the level is really advanced, the content is very satisfying, both in terms of theoretical aspects and practical applications. One of the best courses." Frédéric, engineer, Max Intermediate

    “The Max Initiation training course offers a solid introduction to how Max works and the creative possibilities it enables for sound processing, particularly in the context of music and experimentation. I learned a great deal in just one week and feel I’ve acquired a strong foundation for using Max in my research. Just as importantly, the atmosphere during the training was fantastic. I had a wonderful time with the other participants and our instructor, Johannes, who took the time to answer all our questions and showed a genuine interest in our individual backgrounds.” Clara, PhD studen, Max Initiation

    "A very helpful course that will develop your craft using Max, able to accommodate a range of experience with the software. Led by extremely knowledgable and patient instructors." David, Artist, Max Intermeidate, Online

    Edit

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