• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
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    • Acoustic and Cognitive Spaces
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
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    • Improvise cum machina 1/2
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    • Like Sound, Like Flesh
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  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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  • Rendez Vous 20.21
      • Season 2021.22
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      • ManiFeste-2022
      • ManiFeste festival from 2012 to 2022
      • L’Étincelle, IRCAM’s journal of creation






    Rendez Vous 20.21

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    Twists, Detours, and Returns
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    A new and essentially nomadic season for IRCAM, before the much anticipated reopening of the Espace de Projection in June 2022. The vitality of creation and productions reaches out to Annecy, Besançon, Chambéry, Grenoble, Lille, Lyon, Marseille, Orléans, Poitiers, Quimper, Toulouse, Tours... and also to Cologne, Donaueschingen, Hamburg, Milan, Warsaw. This vitality also extends to Taiwan and the United States. In Paris, our privileged partners are the Cité de la Musique and the Ensemble Intercontemporain, and Radio France with the Présences festival, notably for the portrait of Tristan Murail in the spring of ‘22.

    Living in the homes of others, with others, can seduce distant audiences and engage artistic fields that dream of experimentation and a new art of sound. For example, the theater with Nostalgie 2175 by Anne Montfort and Núria Giménez-Comas or Le Périmètre de Denver by Vimala Pons; the cinema with Metropolis by Fritz Lang and Martin Matalon; literature thanks to the "Musiques-Fictions" collection; opera with Sivan Eldar's first scenic adventure, Like Flesh, inspired by Ovid's Metamorphoses. Throughout our peregrinations, we will find the key elements of our research: improvisation with the machine and artificial intelligence (Steve Lehman and Frédéric Maurin's Orchestre National de Jazz), acoustic immersion, the alteration of voices, and the places that these voices inhabit.

    To live with others is to exist in a network and to increase the artistic, pedagogical, scientific, and cultural development of IRCAM. It also means extending technological innovation to cultural industries. The multiple effects of the network are at the heart of the Vertigo Forum and the "Réseaux-Mondes" exhibition at the Centre Pompidou.

    The network, like the practice of the nomad, transforms the original site. This season invites us to this metamorphosis, to the multidisciplinarity in action rather than in slogan.

    Frank Madlener, IRCAM Director

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    Season 2021.22

    Seasons from 1996 to present

    ManiFeste-2022

    ManiFeste festival from 2012 to 2022

    L’Étincelle, IRCAM’s journal of creation

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