• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
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    • Analysis of Musical Practices
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    • The Musical Body
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    • L'Annonce faite à Marie
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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • ULYSSES Ensemble
    • 2024 ÉLAN award
    • Solo and amplification
    • Collaboratory Cine-concert - Percussion and electronics
    • Auditors
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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  • Rendez Vous 23.24
      • Season 2023.24
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      • Seasons from 1996 to present
      • ManiFeste-2023 Website
      • ManiFeste festival from 2012 to 2023
      • L’Étincelle, IRCAM’s journal of creation






    Rendez Vous 23.24

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    The Factory of Sonic Dreams
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    Nowhere else will you hear Rioji Ikeda and Ash Fure on the same stage, or see Steve Reich's Pendulum Music and Electric Counterpoint by Radiohead guitarist Johnny Greenwood. Nowhere else will you blow out the 50 candles of Ensemble Itinéraire with Natasha Barrett, Núria Giménez Comas, and Eric Maestri. Nowhere else will you experience Nina Simone revisited by Claron McFadden and the Fanny&Alexandre company, the virtual worlds of Murcof and Simon Geilfus, the sirens of Franz Kafka and Francesca Verunelli.

    Nowhere else, the 30th anniversary of the IRCAM Forum and the participative science of Fictions Science, devoted to the performing body and the optimization of movement... it's been announced that this will be an Olympic year? Nowhere else, the Feu de Joie celebrating the Stravinsky fountain, illuminated by Mikel Urquiza with students from the Conservatoires du Centre, and the confession of a bot, a workshop exploring conversational agents. Nowhere else, the growth of a new collection, Musiques Fictions, which opens the cultural program of the new Cité internationale de la langue française in Villers-Cotterêts.

    Nowhere else, in fact, but technologies and their critical use, ambient engineering and the fabrication of sonic dreams, electronics, and writing. Nowhere but at 1, place Igor Stravinsky, Paris.

    Frank Madlener, IRCAM Director

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    Season 2023.24

    Replay Concerts

    Seasons from 1996 to present

    ManiFeste-2023 Website

    ManiFeste festival from 2012 to 2023

    L’Étincelle, IRCAM’s journal of creation

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