• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
  • Home
  • Transmission
  • ManiFeste-2026 Festival Academy
  • Solo and electronics
  • ManiFeste-2026 Festival Academy
  • In Situ Dance Film Composition
  • In Situ Electronic Composition
  • Solo and electronics
    • 2026 Auditors






    Solo and electronics

    Edit






    Composition Workshop
    Edit






    Tutors: Sivan Eldar (composer), Augustin Muller & NN (Ircam computer music designers)
    Soloists from the Ensemble intercontemporain: Lucas Ounissi (trombone), Valeria Kafelnikov (harp), Renaud Déjardin (cello)
    January-May 2026: Online meetings and work sessions
    June 15-27, 2026 @Ircam: workshop, rehearsals, concerts

    Sonic dramaturgies

    Ircam is offering a composition workshop for solo instruments and electronics led by Sivan Eldar, with three musicians from the Ensemble intercontemporain and two Ircam computer music designers.

    This workshop will explore the dialogue between, and orchestration of, instrumental and electronic sound in relation to text. Poems by Laura Vazquez, chosen with the participants, will serve as points of departure and as a fil rouge connecting the works of the six selected composers (the poems may be approached in the broadest sense: as inspiration, imagery, sound, or conceptual material). Together with three musicians from the Ensemble intercontemporain and two Ircam computer music designers, participants will create works for solo instrument and electronics, engaging with questions of embodied and disembodied sound, the interplay between semantic and instrumental gesture, spatial dramaturgy, and immersivity within the Ircam Espace de projection.

    Organization

    January 2026 – Online introduction meeting with all six selected composers, Sivan Eldar, the three soloists from the Ensemble intercontemporain, the computer music designers, and the Ircam teams.

    January to May 2026 – Online preparatory work sessions.
    Each composer will then have two one-hour individual online meetings with Sivan Eldar and the computer music designers to discuss the project proposed in their application, as well as online and email exchanges with their performers and the Ircam computer music designers.

    Applications

    Applicants must:

    • have been born after January 1, 1994;
    • not have participated twice before in another ManiFeste Academy workshop;
    • be able to speak and understand English or French.

    Application deadline Tuesday, November 18, 2025, midnight CEST
    Personalized response by email on Tuesday, December 23, 2025.

    Online application

    Jury

    The jury that will select the young composers will include composer Sivan Eldar and musicians from the Ensemble intercontemporain Valeria Kafelnikov (harp), Luca Ounissi (trombone), Renaud Déjardin (cello), and computer music producers Augustin Muller and NN.

    Conditions of participation for selected composers

    Registration fee: EUR 450
    The academy does not cover scholarships, travel, or accommodation. Selected candidates must find accommodation on their own.

    Selected composers must, under penalty of cancellation of their participation:

    • commit to writing a score that is:
      • original,
      • between 5 and 7 minutes long,
      • and can be rehearsed and performed without the intervention of a conductor.
    • participate in a group videoconference meeting with all six participants, the guest composer, and the soloists of the Ensemble intercontemporain in January 2026;
    • participate in two individual videoconference meetings with the guest composer between January and March 2026 to present and validate their score project;
    • pay their registration fees by Tuesday, January 27, 2026, at the latest;
    • send their complete score by Tuesday, April 7, 2026, at the latest, under penalty of cancellation of their participation in the academy;
    • prepare in advance the electronic equipment necessary for the realization of their project, in collaboration with the computer music producers at Ircam (online meetings will be organized between March and May 2026);
    • send their electronic demo by Tuesday, May 12, 2026, at the latest;
    • make any changes to their score requested by the teaching team;
    • attend all rehearsals and dedicated meetings for their workshop from Monday, June 15 to Friday, June 27, 2026 (except Sunday).
    Edit
    Ircam

    1, place Igor-Stravinsky
    75004 Paris
    T. +33 1 44 78 48 43
    Opening times

    Monday through Friday 9:30am-7pm Closed Saturday and Sunday
    Subway access

    Hôtel de Ville, Rambuteau, Châtelet, Les Halles
    • Jobs Offers & Internships
    • Accessibility
    • The IRCAM team
    • Partners
    • Support IRCAM
    Institut de Recherche et de Coordination Acoustique/Musique

    go to :
    • Centre Pompidou
    • General Conditions
    • Legal Notes
    • Espace Pro
    Copyright © 2025 Ircam. All rights reserved.