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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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Providence

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Premiere by the author Olivier Cadiot, directed by Ludovic Lagarde
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Published by P.O.L. in the beginning of 2015, Providence by Olivier Cadiot is not a text written for the stage, even less with the idea that computer music take it over. It is a four-sided tale, written in the imperfect, a text in which we meet two marquises (twins) that we can imagine taking out in the afternoon, but also William Burroughs (cryopreserved) and a few other characters that Cadiot plays with in his desire to quickly condense several centuries of literature (the second half, called Illusions perdues, is, according to the author “Balzac accelerated”). A text that, suddenly, almost based on a misunderstanding, or on the spur of the moment, was dedicated to the stage, towards a form of accomplishment or acoustic.

The Technological Challenges

“The sound itself offers a theatrical space,” says Ludovic Lagarde. “The sound event creates forms on the stage.” In light of this, IRCAM’s electronics are not just a support or extra sounds. They consist of a vocabulary defined together, making it possible to model the reality of the stage. Work centers around processing the voice and the stage space.

Past Projects at IRCAM

This will be the third experience at IRCAM for the Cadiot/Lagarde/Poitrenaux trio Un mage en été and Retour définitifet durable de l’être aimé (and its fourth experience with electro-acoustic works if we count Le Colonel des Zouaves, in 1997, a sound work carried out in collaboration with Gilles Grand). Providence was the subject of an initial lab/reading during the festival ManiFeste-2016.

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  • Répétitions de Providence  © Céline Gaudier
    Répétitions de Providence © Céline Gaudier
  • Répétitions de Providence  © Céline Gaudier
    Répétitions de Providence © Céline Gaudier
  • Répétitions de Providence  © Céline Gaudier
    Répétitions de Providence © Céline Gaudier

Biographies

person

Olivier Cadiot

Author
In 1988, Olivier Cadiot published his first book of poetry L’Art poétic’ (éditions P.O.L.). In 1993, the first volume of a series appeared Futur, ancien, fugitif, followed by Colonel des Zouaves, Retour définitif et durable de l’être aimé, Fairy Qu…

person

Ludovic Lagarde

Director
It was at the Comédie de Reims, at the Théâtre Granit in Belfort, and at the Channel de Calais that Ludovic Lagarde took his first steps as a director. Since 1993, he has adapted and directed several novels and texts by Olivier Cadiot. He began h…

person

Laurent Poitrenaux

Actor
Laurent Poitrenaux was born in Vierzon in 1967. With the exception of a few roles in films, notably Tout va bien on s’en va by Claude Mouriéras, he works in theater with a number of directors including Éric Vigner, Daniel Jeanneteau, Arthur Nauzycie…


Related Event

Théâtre
Creation

Providence

2 March to 5 March 2017
Théâtre des Bouffes du Nord
by Oliver Cadiot with Laurent Poitrenaux and Ludovic Lagarde
Ircam

1, place Igor-Stravinsky
75004 Paris
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