Analysis of Musical Practices

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The Analysis of Musical Practices team conducts interdisciplinary research of the world of music from production (composition, improvisation, interpretation) to reception (listening, concert, criticism, scientific and technical discourse) - though the multiple technical objects that constitute it (instruments, recordings, algorithms).

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<p>To this end, the team develops an approach that is simultaneously empirical (by borrowing its tools from the social sciences as well as the cognitive sciences), integrative (by connecting musical objects, practices, and discourses to general theoretical questions), and contextual (by approaching practices as dynamic and socially situated complexities).<br />The team's work is disseminated through publications and colloquia within the various scientific communities concerned (musicology, history, philosophy, aesthetics, cognitive sciences, sociology, genetic criticism, anthropology, the study of science and technology). It is also the subject of other forms of dissemination: short documentaries, teaching at universities and to the general public, computer developments, conferences-performances, recordings, etc.</p> <h2 class="bodytext">Major Themes</h2> <ul> <li>Analysis of the creative process</li> <li>Musical practices and collective actions</li> <li>History of musical and scientific practices and their interaction</li> <li>Mixed music and electroacoustics</li> <li>Performance studies</li> <li>Avant-garde music history and aesthetic</li> <li>Sound Studies</li> <li>Musicology and Human and Social Sciences</li> <li>Philosophical aesthetics</li> <li>Musical temporality and spatiality of &ldquo;la conscience morbide&rdquo;</li> <li>Talking music</li> <li>Instruments of improvisation</li> <li>History of musical acoustics in France</li> <li>Tuning the world</li> </ul> <h2></h2> <p style="text-align: right;"><a href="https://www.stms-lab.fr/team/analyse-des-pratiques-musicales/" target="_blank" class="wys-button">Team Website</a></p>

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