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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • The Digital Revolution in Music








Fri 26 January 2018,
5 p.m.- 7 p.m.
Ircam
salle Stravinsky

Free entry

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Research
Encounter






The Digital Revolution in Music

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Panel Discussion
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Digital disruption has transformed our society, including the domains of musical production and distribution. Yet, the world of contemporary, new music demonstrates an attachment for traditional concert forms, for the autonomous work, for authors, for scores, as well as for the institutions that guarantee them: conservatories, universities, studios, labs, publishers. In his provocative essay La révolution digitale de la musique published in 2012, the German philosopher Harry Lehmann examined the consequences of this transformation, setting off an aesthetic and political controversy in Germany. This panel discussion, a prelude to the Grand soir numérique concert brings together several figures to discuss Lehmann’s thesis for the publication of his work in French (éditions Allia, September 2017).

Speakers

Daniele Ghisi, composer
Jean-Luc Plouvier, Ictus
Gwen Rouger, Soundinitiative
Makis Solomos, musicologist

Organization 

Nicolas Donin Analysis of Musical Practices,  IRCAM-STMS
Martin Kaltenecker Université Paris-7

IRCAM Multimedia Library

In complement to this encoutner, the IRCAM multimedia library will present a selection of documents curated by Nicolas Donin from Tuesday, January 23 through Friday, February 16.
IRCAM's multimedia library is open Tuesday through Friday, from 2 to 5:30pm.

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  • La Révolution digitale dans la musique Harry Lehmann, aux Éditions Allia, Septembre 2017
    La Révolution digitale dans la musique Harry Lehmann, aux Éditions Allia, Septembre 2017
  • Daniele Ghisi  © Deborah Lopatin
    Daniele Ghisi © Deborah Lopatin
  • Nicolas Donin
    Nicolas Donin

Also discover

Concert
Creation

Grand soir numérique

Friday 26 January 2018
Cité de la musique
Alex Augier, Paul Jebanasam & Tarik Barro, Daniele Ghisi & Boris Labbé, Rune Glerup, Alexander Schubert
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