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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
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  • The Digital Revolution in Music








Fri 26 January 2018,
5 p.m.- 7 p.m.
Ircam
salle Stravinsky

Free entry

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Research
Encounter






The Digital Revolution in Music

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Panel Discussion
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Digital disruption has transformed our society, including the domains of musical production and distribution. Yet, the world of contemporary, new music demonstrates an attachment for traditional concert forms, for the autonomous work, for authors, for scores, as well as for the institutions that guarantee them: conservatories, universities, studios, labs, publishers. In his provocative essay La révolution digitale de la musique published in 2012, the German philosopher Harry Lehmann examined the consequences of this transformation, setting off an aesthetic and political controversy in Germany. This panel discussion, a prelude to the Grand soir numérique concert brings together several figures to discuss Lehmann’s thesis for the publication of his work in French (éditions Allia, September 2017).

Speakers

Daniele Ghisi, composer
Jean-Luc Plouvier, Ictus
Gwen Rouger, Soundinitiative
Makis Solomos, musicologist

Organization 

Nicolas Donin Analysis of Musical Practices,  IRCAM-STMS
Martin Kaltenecker Université Paris-7

IRCAM Multimedia Library

In complement to this encoutner, the IRCAM multimedia library will present a selection of documents curated by Nicolas Donin from Tuesday, January 23 through Friday, February 16.
IRCAM's multimedia library is open Tuesday through Friday, from 2 to 5:30pm.

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  • La Révolution digitale dans la musique Harry Lehmann, aux Éditions Allia, Septembre 2017
    La Révolution digitale dans la musique Harry Lehmann, aux Éditions Allia, Septembre 2017
  • Daniele Ghisi  © Deborah Lopatin
    Daniele Ghisi © Deborah Lopatin
  • Nicolas Donin
    Nicolas Donin

Also discover

Concert
Creation

Grand soir numérique

Friday 26 January 2018
Cité de la musique
Alex Augier, Paul Jebanasam & Tarik Barro, Daniele Ghisi & Boris Labbé, Rune Glerup, Alexander Schubert
Ircam

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