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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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Anima

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Premiere by the composer Ashley Fure
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For Augmented String Quartet

One of today's biggest trends is augmented instruments. And, among augmented instruments, the string quartet is doubtless the one that wins over the most composers. The principle is simple: with the help of transducers (small loudspeakers that transmit the vibration of their membranes to the surface on which they have been places) we transform a familiar instrument into a tool for sound diffusion. For composers, the main interest of this system is to blend the acoustic sound sources and the electronic sounds (and to play with the theatrical aspect of an instrument that makes sound without the musician playing it), but also to take advantage, for the electronic sound, of the timbral qualities of the instrument's sounding board.

In Anima, Ashley Fure takes one more step-pushing logic even further, while giving the musician a sort of control on the augmentation. How? Simply by making the transducers, habitually attached to the sounding board, mobile. Like a stethoscope that hears the body’s secrets, the musicians move the transducers from one point to another, from the surface of their instruments, from hearing to touch, from the back of the bow, injecting animated sounds into the heart of inanimate objects. As the work develops, a volatile chain of sonorous feedback (due to the sound capture by microphone and the acoustic response of the instruments to the transducers) is added to these stethoscopes, threatening to take over the virtuosos performing.

What are these new instruments then? Are they golems, simple pieces of clay that a magic formula can wake up? Or monsters like Frankenstein’s: intended to take the power of their creator?

"Anima," concludes Ashley Fure, "is a quest for electric blood, for digital respiration, for a bestial future in the very heart of the string quartet tradition…"

Previous Projects at IRCAM

Ply(2014) for electronics, ballet music created in collaboration with the choreographer Yuval Pick
Tripwire (2011), kinetic installation, created in collaboration with the visual artist Jean-Michel Albert
Wire & Wool (2009) for cello and electronics 

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Biography

person

Ashley Fure

Composer (born in 1982)
American Ashley Fure is a composer of acoustic and electroacoustic music intended to be heard in concert halls and the creator of multimedia installations. Considered "raw, primal" and "highly likable" by the New York Times, her wo…


Événements liés

Concert
Creation

New works for string quartet

Monday 15 May 2017
Friche La Belle de Mai
by Ashley Fure and Mauro Lanza
Concert
Creation

New works for string quartet

Tuesday 23 May 2017
Scène nationale d'Orléans
by Ashley Fure and Mauro Lanza
Concert
Creation

Diotima

Wednesday 7 June 2017
Centre Pompidou
Mauro Lanza, Ashley Fure with the Quatuor Diotima
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