The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Composer (born in 1982)
American Ashley Fure is a composer of acoustic and electroacoustic music intended to be heard in concert halls and the creator of multimedia installations. Considered "raw, primal" and "highly likable" by the New York Times, her work explores the kinetic source of sound, revealing the muscular act of musical production and the chaotic behavior of crude acoustic material. Fure holds a PhD in musical composition from Harvard and has worked as an assistant professor in sound art at Dartmouth College since 2015.
Her recent projects include: The Force of Things: An Opera for Objects (2016), immersive intermedia opera commissioned by the International Contemporary Ensemble, ound to the Bow (2016), for orchestra and electronics commissioned by the NY PHIL BINNIAL, and Feed Forward (2015) for large ensemble commissioned by Klangforum Wien.
Email : Ashley.Fure (at) ircam.fr