• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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Cursus 2022.23

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Exploring and integrating the potential of electronics: this is the challenge faced by Cursus composers during their year of training in the technologies and computer programs developed at IRCAM. Two evenings was presented their final projects : Ten eclectic proposals, revealing the diversity of musical worlds, highlighting voice in all its forms, as well as performance and improvisation.

Program (in French)

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The 2022.23 Class

Selected Composers for Cursus 2022.23

person

Masahiro Aogaki

Masahiro Aogaki (Japan, b. 1991) received his Master's degree in composition at the Tokyo University of the Arts, (Tokyo Geidai) studying under Ichiro Nodaïra. In 2017, he was admitted to the Paris Conservatory (Cnsmdp) in Stefano Gervasoni's class, and …
person

Anna Arkushyna

Anna Arkushyna (Ukraine, b. 1989) studied composition at the National Academy of Music of Ukraine with Alla Zagaikevych and Eugene Stankovych and at Kunstuniversität Graz with Beat Furrer and Franck Bedrossian. Her works have been performed at festivals …
person

Omer Barash

Omer Barash’s (Israel, b. 1995) main compositional interests include the exploration of movement and gesture in music. His work is often inspired by Hebrew texts and traditions and the soundscapes that surround him. Barash’s musical education includes st…
person

Henri Colombat

Henri Colombat (France-United States, b. 1997) is a composer of acoustic and electroacoustic music exploring the various possible links between poetic images and sound. While his sonic approach is rooted in experimental and classical music, his creative …
person

Engin Dağlık

Engin Dağlık (Turkey, b. 1987) is a musician who essentially explores the potential of space in his work, by combining different production tools and techniques. He is mostly interested in producing work that aims to recreate and reshape the perception o…
person

Andrew Harlan

Andrew Harlan (United States, b. 1995) is a composer, bassist, improviser, and sound designer. His music exists at the intersections of long-form ambient music, experimental club music, dystopian sound design, chamber music, and electroacoustic improvisa…
person

Simon Kanzler

Simon Kanzler (Germany, b. 1988) is a composer, laptop improviser, and vibraphonist. He has a diverse musical background both as an improviser—originally on the vibraphone and in recent years primarily on his self-made modular software instrument—and as …
person

Jawher Matmati

Jawher Matmati (Tunisia, born 1993) is a composer; he graduated in 2011. with a diploma in Arabic music. He entered the School and University Symphony Orchestra, founded by Hafedh Makni, as a cellist, before becoming its director from 2014 to 2016. In 20…
person

Kirsten Milenko

Kirsten Milenko (Australia, b. 1993) is an Australian composer and conductor. Her music creates acoustic and electronic settings of an immersive and beautifully strange nature. She is represented with the Australian Music Centre as an Associate Artist, a…
person

Tomislav Oliver

Tomislav Oliver (Croatia, b. 1987) is a composer whose aesthetic draws on interdisciplinary influences such as postmodern literature, linguistics as well as the aesthetic of kinetic art. His works revolve around the idea of heterotopic spaces in which mu…
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