The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Kirsten Milenko (Australia, b. 1993) is an Australian composer and conductor. Her music creates acoustic and electronic settings of an immersive and beautifully strange nature. She is represented with the Australian Music Centre as an Associate Artist, and a member of the Danish Composer’s Society. Her work has received premieres by ensembles and orchestras such as: Lucerne Festival Contemporary Orchestra, Ensemble MusikFabrik, Athelas Sinfonietta Copenhagen, Danish National Vocal Ensemble, Esbjerg Ensemble. In 2019, Milenko was awarded the Roche Young Commission. In 2020, her debut opera/dance-theatre work Dalloway premiered at Pulsar Festival. She was a participant of the 2020-21 Words and Music Workshop with the Opéra Orchestre National de Montpellier, led by Ted Huffman and Sivan Eldar.
Milenko studied composition at the Royal Danish Academy of Music and Sydney Conservatorium of Music, where she received the 2016 Ignaz Friedman Memorial Prize for excellence in composition. She studied contemporary repertoire conducting at the Conservatorio della Svizzera italiana and completed the Sorrell Conductors Programme at the Royal Academy of Music with Sian Edwards in 2022.