- Research
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
- Creation
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
- Composers & Artists in Studio
- Sébastien Gaxie in studio
- Murcof in the studio
- Vimala Pons in studio
- Lucie Antunes in studio
- Deena Abdelwahed in the studio
- "I am in blood" for Sixteen Musicians and Live Electronics
- "Transfer" for 10 Musicians and Electronics
- L'Annonce faite à Marie
- In Ex Machina
- Jazz Ex Machina
- Improvise cum machina 1/2
- Improvise cum machina 2/2
- Like Sound, Like Flesh
- Silent Talks
- Music-Fictions
- Martin Matalon in studio
- Transmission
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
- Training Courses
- Training Courses 2024.25
- Max, Max for Live
- Computer-Assisted Composition
- ASAP & Partiels
- Sound spatialization
- Designing Audio Experiences on the Web
- Generative AI
- Practical Information
- Innovations
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
