The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Antonio Tules (France, b. 1990) studied composition with Thierry Blondeau at the Conservatoire à rayonnement départemental d'Aulnay-sous-Bois, and in Strasbourg with Philippe Manoury, then Daniel D'Adamo and Tom Mays at the Académie supérieure de musique in Strasbourg, where he is currently completing his Master's degree. Winner of the Académie Musica - Philippe Manoury in 2017, his music has been performed by ensembles such as Cairn, Court-circuit, Hanatsu-Miroir, Intercolor, and the Tana Quartet.
A pianist by training and also an electric guitarist, his practice of rock and metal clearly influences his writing, both formally and rhythmically, leading him to reflect on the concepts of connotation, ambiguity and decontextualisation of "found objects", or harmonic object, by focusing on the integration of consonance within atonal music.
Email : Antonio.Tules (at) ircam.fr