• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Maxime Mantovani
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Maxime Mantovani

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.Biography

Maxime Mantovani (b. 1984, France) is a contemporary music composer and improviser. He graduated with a Master's degree in composition from the CNSMD of Lyon, with honors and unanimous approval of the jury, under the direction of François Roux. His choice of musical writing is strongly inspired by technology, more precisely by computer music, sound synthesis, and electronic instruments. He is interested in electroacoustic lutherie to design custom instruments. These hardware and software interfaces allow him to rediscover the elasticity and plasticity of the musical manipulation of analog studios. He adapts to his interfaces sound treatments specially developed to be played in dialogue with live musicians.

Mantovani attaches great importance to the technique of instrumental writing and the latest advances in computer-assisted composition; each new composition is the opportunity for an exchange with the instrumentalists. To better understand the kinesthesia linked to their instruments is for him a resource for instrumental and electronic writing. The challenge is to find forms of notation that are simple, accurate and strong in sound meaning. He obtained various grants to help finance his work in the creation of digital audio control interfaces, as well as residency grants to further his work. He is currently in artistic research residency at IRCAM under the direction of Philippe Esling, in the Artificial Intelligence research team ACIDS. The objective of this residency is to improve his electronic lutherie models and to control in a musical way the new forms of sound generation proposed by AI.

Photo © Émilie Zasso

.2020.21 Artistic Research Residency 

Improvisation, deep learning and prior matching

Research Theme
Creation of electronic interfaces tailored to the control of real-time systems using state-of-the-art artificial intelligence models.
In collaboration with IRCAM-STMS Musical Representations

The focus of this residency is to design an interface— both hardware and software—specifically imagined for the real-time control of artificial intelligence models. The idea of this interface is to offer new and innovative ways of generating expressive electroacoustic sound using the latest deep neural network algorithms. A dedicated electronic interface enables the development of instrumental gestures closely related to the sound, while ensuring reproducibility and a high degree of expression through the involvement of the body. AI systems have great potential to generate highly musical expressive sound. The combination of these two aspects of sound generation offers fascinating and unexpected possibilities. Maxime Mantovani will use his interfaces while improvising with two musicians; a percussionist and a tuba player. Using these interfaces in an improvised music context firstly teaches the user how to use them, and secondly, places these interfaces in a situation where the electroacoustic system must be as reactive as an acoustic musician. The learning of deep networks is not limited to sound databases, but extends to databases of the gesture produced and recorded during the improvisations carried out during the residency.

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Links

  • https://maximemantovani.com/

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