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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Concert du Cursus #1








Wed 10 September 2025,
8 p.m.
Ircam
Espace de projection
Downloads

programme-concert1-cursus2025.pdf

Prices

Free entry, limited seats available

Duration Approximately 1 hour

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Creation
Concert






Concert du Cursus #1

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Exploring and integrating all the possibilities of electronics; this is the challenge facing the young composers of the Cursus program. Coming from all over the world, they train at IRCAM in the latest technologies for music and sound. These two evenings showcase their end-of-year projects, developed in IRCAM’s studios. It’s a chance for audiences to witness the emergence of new voices in today’s music.

This first evening opens with the premiere of a piece by the duo Dornier/Viloria, presented without an ensemble, and continues with works performed by the Cairn ensemble.

Ensemble Cairn
Alexa Ciciretti cello
André Feydy trumpet
Cédric Jullion flute
Christelle Sery guitar
Simone Conforti, Grégoire Lorieux, Sébastien Naves, João Svidzinski IRCAM educational team
Pierre Jodlowski composer-in-residence with the Cursus, artistic advisor
Jérémie Bourgogne, Lucas Ciret IRCAM sound diffusion

Premieres by Severin Dornier, Emre Eröz, Sergi Puig, Luis Torres, Itziar Viloria

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Produced by IRCAM–Centre Pompidou. With the support of Michèle Gagliano and the Maison de l’Île-de-France, Cité internationale universitaire de Paris.
  • L'Ensemble Cairn  © Agathe Poupeney / Photoscene.fr
    L'Ensemble Cairn © Agathe Poupeney / Photoscene.fr
  • Severin Dornier  None
    Severin Dornier
  • Itziar Viloria  None
    Itziar Viloria
  • Luis Torres  None
    Luis Torres
  • Sergi Puig  None
    Sergi Puig
  • Emre Eröz  None
    Emre Eröz

Related to

Concert
Creation

Concert du Cursus #2

Saturday 13 September 2025
Ircam
Premieres by Konstantinos Baras, Yoko Konishi, Jiwon Seo, Yana Shliabanska, Antonio La Spina
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