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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Musiques-Fictions n°2: L’autre fille d’Annie Ernaux








June 18 through Sat 25 June 2022,
6:30 p.m.
T2G - Théâtre de Gennevilliers
Prices

Per session : 5 €

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Creation
Installation






Musiques-Fictions n°2: L’autre fille d’Annie Ernaux

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In this short story, Annie Ernaux addresses her older sister, who died before she was born, and whose existence she learned of fortuitously at the age of ten. The creation and sound diffusion system makes it possible to stage this letter without embodying it, to arouse the author's intimacy through her own voice, her breathing, through the imaginary presence of her body. A solitary and secret word, which will remain unanswered, except for the refined music of Aurélien Dumont.

Annie Ernaux text
Aurélien Dumont composition, commissioned by IRCAM-Centre Pompidou
Daniel Jeanneteau adaptation and production
Augustin Muller sound design and production
Sylvain Cadars sound engineering

With the voice of Annie Ernaux and music recorded by the ensemble L’Instant Donné: Nicolas Carpentier violoncelle, Maxime Echardour percussion, Mayu Sato-Brémaud flûte

The Musiques-Fictions collection merges a contemporary text, a musical creation, and the collective experience of immersive listening under an ambisonic dome. The musical creation is in perfect contact with the literary work. The language has all the intelligibility; the music has a space of its own. The Musiques-Fictions intend to renew the genre of radio fiction, the Hörspiel, the vigil, by going beyond the simple sound illustration of the story or the dialogue. Music-fictions where the image is not a screen.

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  • https://theatredegennevilliers.fr/
Coproduction IRCAM-Centre Pompidou, T2G - Théâtre de Gennevilliers. With the support of the Sacem.
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
  • Dôme ambisonique de l'Ircam  © Maxime Robert
    Dôme ambisonique de l'Ircam © Maxime Robert
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