• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
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    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
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    • Analysis of Musical Practices
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    • The Musical Body
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
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    • Industrial Licenses
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June 8 through Thu 7 July 2022,
11 a.m.- 9 p.m.
Centre Pompidou
Niveau 6
Prices

Free Entry : 0 €

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Free entry

Creation
Installation






Tact

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Interactive installation
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Tact, a device installed at the Centre Pompidou, invites the public to take part in a collective and urban creation; both sonic and visual. Tact is a graphic palette that lets you explore a panorama, a photograph, and modify the contours, the drawing, and the musical environment. The map is the territory. Each gesture on the touch screen triggers an event and musical grammar, imagined by composers and sound designers brought together by the pleasure of working with one another. Tact is in the spirit of Upic, the composition tool that Iannis Xenakis designed to control a structure, a dynamic, through graphical gesture. Harmonizing the hand that draws and the hand that plays, the premeditated and the random, the expert and the amateur.

Zoé Aegerter design
Georges Aperghis, Fabien Bourlier, Didem Coskunseven creations and sound design
Romain Barthélémy sound design
Pascal Vaccaro development
Frédéric Voisin IRCAM electronics
Quentin Chevrier photo

Tact Toucher / Auditionner / Composer / Transmettre - Premiere 2022
commissioned by IRCAM-Centre Pompidou

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  • https://www.centrepompidou.fr
With the support of the Sacem and the ULYSSES network, subventionné par le programme Europe créative de l’Union européenne, dans le cadre du programme InSitu/City.
  • © Zoé Aegerter  None
    © Zoé Aegerter
  • © Zoé Aegerter  None
    © Zoé Aegerter
  • © Zoé Aegerter  None
    © Zoé Aegerter
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