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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Orchestre de Paris / Concert d'ouverture








Wed 8 June 2022,
and
Thu 9 June 2022,
8:30 p.m.
Cité de la musique
Salle des concerts
Prices

Full : 42 €
Discount Price : 35.70 €
ManiFeste Pass : 31.50 €
Youth Pass : 8 €

Concert recorded by France Musique

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Creation
Concert






Orchestre de Paris / Concert d'ouverture

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Three works for orchestra, three ways of reconfiguring this classical formation, using electronics or using a new spatial structure. Misato Mochizuki, at the confluence of Western and Japanese cultures, imagines a score where the machinery of the Orchids software generates an artificial nature: a virtual electronic bird bursts into the fabric of the orchestra. For Marco Stroppa, the soloist of Come play with me is the electronics embodied by a totem of loudspeakers. In this lively concerto, the movements follow one another right up to an unexpected cadenza by the lone electronic protagonist. With Ring for large spatialized orchestra, the first part of the Köln trilogy, Philippe Manoury shatters orchestral hierarchies with the arrangement of sound groups and the spatialization of trajectories. A scenography disrupting the established codes of the orchestra and the concert.

Orchestre de Paris
Lin Liao conductor
Carlo Laurenzi, Robin Meier IRCAM electronics

Misato Mochizuki Intrusions - Premiere of the new version
Commissioned by the SWR and IRCAM-Centre Pompidou
Marco Stroppa Come play with me - Premiere of the new version
Commissioned by the SWR, Françoise and Jean-Philippe Billarant,
Philippe Manoury Ring

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  • https://philharmoniedeparis.fr
Coproduction IRCAM-Centre Pompidou, Philharmonie de Paris.
  • Orchestre de Paris  © Mathias Benguigui
    Orchestre de Paris © Mathias Benguigui
  • Orchestre de Paris, Afterwork Scolaire  © Mathias Benguigui
    Orchestre de Paris, Afterwork Scolaire © Mathias Benguigui
  • La cheffe Lin Liao  © Zlatko Mićić
    La cheffe Lin Liao © Zlatko Mićić
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