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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Concert de l'atelier des musiques mixtes








Sat 2 July 2022,
4 p.m.
Le CENTQUATRE-PARIS
Atelier 9
Prices

Booking required : 0 €

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Free entry

Transmission
Concert






Concert de l'atelier des musiques mixtes

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Academy
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To become a true repertoire, mixed works require a global understanding of their interpretation and a high level of technical expertise. This is the objective of the workshop where computer music designers tackle a sometimes complex musical text, and search for balance among a broad range of artistic choices and decisions.

Julie Cormier (percussions), Pascal Lepage (classical guitar), Swann Texier (trumpet), Wen-Jing Yeh (clarinet) students from the Pôle Sup’93 in the framework of the “Mixed Music Pôle Sup’93/IRCAM Class”
Simone Conforti, Claudia Jane Scroccaro, Sébastien Naves IRCAM educational advisors
Matteo Cesari Pôle Sup’93 educational advisor
Computer music control by workshop students Konstantinos Baras, Yongbing Dai, Itziar Viloria, Yang Song
Concert recorded by students from the École nationale supérieure Louis-Lumière

Natasha Barrett Liquid Crystal
Pasquale Corrado Wam
Jérôme Combier Kogarashi, le premier soupir des fantômes
Mathieu Bonilla Orpaillage

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  • https://www.104.fr/
Production IRCAM-Centre Pompidou. In partnership with the Pôle supérieur d’enseignement artistique Aubervilliers – La Courneuve – Seine-Saint-Denis Ile-de-France dit « Pôle Sup’93 » and the École nationale supérieure Louis-Lumière. With the support of the Sacem and the ULYSSES network, supported by the European Union’s Creative Europe program et de la Sacem. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects.
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