• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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    Mixed-Music

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    Training courses in mixed music for music students and young professional performers
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    Works for acoustic and electronic instruments in real-time are gradually becoming a repertoire in and of their own. IRCAM partners with conservatories, music schools, and instrumental ensembles to organize a series of courses each year for music students and young professional performers. These courses provide an opportunity for the participants to become familiar with the different mechanisms of mixed music and to learn how to play instruments with electronics in new musical situations.

    A true chamber music work between the instrumentalist and their electronic double, the interpretation of a mixed work requires constant listening and a heightened attention to the effect of the instrumental gesture. It raises questions of sound capture, of interaction with the real-time transformation of the performer's playing, of the relationship between the pre-recorded parts and their diffusion, of decentering and spatialization of the sound source.

    This program is divided in three sections

    1. One or several workshops to discover new technology available for instrumentalists covering sound recording, processing, and broadcasting. The workshops will take a look at the most up-to-date investigations carried out at IRCAM in the field of instrument research
    2. Work sessions on mixed works to be held with an instructor, computer music designers, and perhaps even composers
    3. A public presentation of the pieces worked on throughout the year

    Mixed Music Course with The Pôle Sup' 93

    For several years now, IRCAM and the arts educational center known as the Pôle Sup'93 have built a program that offers 5 or 6 students in the musician-performer program (DNSPM) at the Pôle Sup'93 the possibility of discovering and working on mixed music pieces alongside IRCAM's computer music designers and sound engineers.

    This educational program, which addresses specific challenges and difficulties of performing mixed music works, consists of several sessions (study of the instrumental and electronic score, playing with electronics at IRCAM) held from October to April. It ends with a public concert as part of the ManiFeste academy, which also brings together students in computer music design and sound engineering students from the École nationale supérieure Louis-Lumière.

    IRCAM educational advisors Simone Conforti, Sébastien Naves
    Pôle Sup’93 educational advisor Matteo Cesari

    Contact us to set up a mixed music program in your school (instrumental ensembles, musician classes in conservatories, music schools, etc.).

    Public conservatory music students, music schools, instrumental ensembles
    Contact 01 44 78 48 17 | info-pedagogie (at) ircam.fr

    Edit
    • Julie Cormier, percussions, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy  © Ircam - Centre Pompidou, photo : Murielle Ducas
      Julie Cormier, percussions, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy © Ircam - Centre Pompidou, photo : Murielle Ducas
    • Pascal Lepage, guitare, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy  © Ircam - Centre Pompidou, photo : Murielle Ducas
      Pascal Lepage, guitare, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy © Ircam - Centre Pompidou, photo : Murielle Ducas
    • Wen-Jing-Yeh, clarinette, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy  © Ircam - Centre Pompidou, photo : Murielle Ducas
      Wen-Jing-Yeh, clarinette, première séance du Parcours musique mixte 2021-2022 en salle Stravinksy © Ircam - Centre Pompidou, photo : Murielle Ducas
    • Quentin Broyart, percussion et Grégoire Lorieux, réalisateur en informatique musicale, séance de découverte avec les instrumentistes du Pôle Sup'93, octobre 2018  © Murielle Ducas, Ircam
      Quentin Broyart, percussion et Grégoire Lorieux, réalisateur en informatique musicale, séance de découverte avec les instrumentistes du Pôle Sup'93, octobre 2018 © Murielle Ducas, Ircam
    • Diane Poitrenaud, clarinette, Répétition en studio 5, juin 2018  © Murielle Ducas, Ircam
      Diane Poitrenaud, clarinette, Répétition en studio 5, juin 2018 © Murielle Ducas, Ircam
    • Wakuko Ide, piano, Répétition en studio 5, juin 2018  © Murielle Ducas, Ircam
      Wakuko Ide, piano, Répétition en studio 5, juin 2018 © Murielle Ducas, Ircam
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