• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Anima™








Sat 11 June 2022,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

programme-anima.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste Pass : 10 €
Youth Pass : 5 €

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Creation
Concert






Anima™

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As part of "Berlin, nos années 20"
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Alexander Schubert one of today's leading young artists in Germany, is also one of the most adept at bringing technology to the stage. Schubert has incorporated advances in artificial intelligence, explored over the past eighteen months with researchers at IRCAM. Anima™, his multimedia theater, is the name of an institution where visitors come into contact with their past and probable future. The interpreters, "patients" of this institute, obey a scenario delivered in real time. Everything has been developed from the real data of the performers from the Decoder Ensemble, in a continuous process of transformation and alienation. The characteristic features of the emotion, the genre, the affects will be varied and will generate artificial avatars. Through AI neural networks, classes and groups of individuals with the same properties are extracted to produce new entries: atypical, unexpected, fascinating results.

Anima™ is not just another survivalist fiction: it is about thinking of technology as the ultimate tool for introspection, rich with a thousand possibilities and a thousand dangers.

Alexander Schubert artistic direction, composition - Premiere 2022
Commissioned by IRCAM-Centre Pompidou
Decoder Ensemble

Leopold Hurt, Andrej Koroliov, Jonathan Shapiro
Ines Assoual, Si-Ying Fung, Stefanie Inhelder, Guy Marsan
dance
Thomas Goepfer IRCAM
computer music design
Dionysios Papanicolaou
IRCAM electronics
Antoine Caillon, Philippe Esling (Musical Representations team), Nicolas Obin, Axel Roebel, Léane Salais (Sound Analysis-Synthesis team) IRCAM-STMS scientific collaboration
Luca Bagnoli
IRCAM sound diffusion
Patricia Carolin Mai
choreography
Lucas Gutierrez
video design
Stefan Britze
set design
Felina Levits
costume design
Diego Muhr
lighting design
Lise Herdam
assistant choreography
Michael Brailey
assistant text

 

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  • https://www.centrepompidou.fr
A Decoder Ensemble production. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Kampnagel Hamburg, Kunstfest Weimar, Lichthof Theatre, Hochschule für Musik und Darstellende Kunst Hamburg. With the support of Darstellende Künste funded by the federal commission for culture and media and the Culture and Medias Ministry Hamburg, Elbkulturfonds, Impuls Neue Musik, Rudolf Augstein Stiftung, Hamburgische Kulturstiftung, from the ULYSSES network, supported by the European Union’s Europe Creative program, and the Goethe-Institut Paris
  • Anima™  © Lucas Gutierrez
    Anima™ © Lucas Gutierrez
  • Anima™  © Lucas Gutierrez
    Anima™ © Lucas Gutierrez
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