Archives

With Bartabas and his horse Tsar

Music by Pierre Boulez

Academy - with the Ensemble intercontemporain

Academy - Daniel D'Adamo, Mauro Lanza, Luigi Nono, Jean-Claude Risset, Kaija Saariaho

Academy - Francisco Alvarado, Ivan Fedele, Jonathan Harvey, Mayu Hirano, Tolga Tünzün

Music by Daniele Ghisi & adaptation by Emmanuelle Zoll

Music by Gérard Pesson & adaptation by David Lescot

Music by Michelle Agnes Magalhaes and choreography by Hervé Robbe

Music by Florence Baschet & adaptation by Anne-Laure Liégeois

Music by Henry Fourès, Francesca Verunelli & Béla Bartók

Music by Raphaël Cendo, Gérard Grisey & Feliz Anne Reyes Macahis

Academy - Creations by student composers

Choreography by Ayelen Parolin

Seminar on issues related to feminism in the fields of music and technology,

Music by György Ligeti, Luca Francesconi & Fausto Romitelli

Music by Maurizio Azzan, Rachel Beja & Beat Furrer

Musique by Alexandros Markeas

Supersonic Chair Exhibition

Works by Frank Bretschneider/Pierce Warnecke, Grischa Lichtenberger, Dasha Rush and Byetone

Panel discussion with Olaf Bender and Frank Bretschneider

Composers of IRCAM Cursus program

Performance-conference with François Xavier Féron & Julia Hanadi Al Abed

Music by Raphaël Cendo, Sasha J. Blondeau, Olga Neuwirth & Pasquale Corrado

by Jean-Luc Hervé

In celebration of the 41st anniversary of the death Roland Barthes

Music by Mayu Hirano

Music by Brice Pauset, installation by AROTIN & SERGHEI

Music by Yan Maresz

Music by Bernhard Lang

Contemporary Repertoire of the shô

Music by Sivan Eldar, Oren Boneh, Roque Rivas & Philippe Leroux

by Luca Francesconi

Music by Chaya Czernowin, Mark Andre, Bernhard Gander, Aureliano Cattaneo, Wolfgang Amadeus Mozart w

by Ivan Fedele, Daniel D'Adamo and Béla Bartok

by Maurizio Azzan

"Une Pluralité audible ? Mondes de musique en contact"

Ciné-concert, music by Martin Matalon

Master Sensors to Program Interactive Sound and Music Systems

by Brice Pauset

by Sasha J. Blondeau

Acoustic Analysis of Mouth Organ

Learn to use Max via Ableton Live

Music by Mikel Urquiza, Giulia Lorusso, Francisco Alvarado & Francesca Verunelli, with the Ensemble

3 days to understand and master IRCAM’s physical modeling software

Music by Luis de Victoria & Stefano Gervasoni

Certification session open to private candidates

An experiment on the frontiers between human/animal with artists, researchers, actors, musicians

International rendezvous for artistic and musical research

An introduction to IRCAM's technologies

Improve your knowledge and mastery of Max

A digital game of identities for avatars and solitary individuals across the globe

Immersive concert, musique de Benjamin de la Fuente & Samuel Sighicelli

Une nouvelle agora mondiale pour un méta-espace sans genre

New Modalities of Artistic Presence During Covid

Conceive and Create Interactive Performances and Installations with Web Technologies

Wu Wei and 37-pipe Mouth Organ

by Pierre Boulez

Certification open to private candidates

by Rebecca Saunders and Sivan Eldar

International meeting bringing together members of the Forum and the international community of musi

by Marta Gentilucci

Learn the basics of programming in Max

Discover and master the basics of IRCAM’s Spatialisator

by Rebecca Saunders

"Stockhausen et le 11 septembre, Essai sur la musique et la violence"

Conceive and Create Audio Contents with Web Technologies

How to listen to the sound of sheng?

Discover Computer-Assisted Composition – From Calculations to Music

"The Practice of Musical Improvisation, Dialogues with Contemporary Musical Improvisers"

by Unsuk Chin, Michael Jarrell and Philippe Manoury

Music by Olivier Pasquet (under the Ambisonic dome)

Music by Daniele Ghisi (under the Ambisonics dome)

Music by Aurélien Dumont (under the Ambisonic dome)

A creation that blends art and philosophy, semiology and musical and literary performance

An Audio Heritage of Forest Ecosystems (under the Ambisonic dome)

Broadcasting of ManiFeste-2020 concert Professor Bad Trip, recorded on September 10, 2020

by Rebecca Saunders and Sivan Eldar

by Giulia Lorusso, Francisco Alvarado, Birke Bertelsmeier & Francesca Verunelli

Certification open to private candidates

Event postponed in 2021

Broadcasting of ManiFeste-2020 concert Voce 2, recorded on September 9, 2020

Learn the basics of programming in Max

by Ashley Fure

Broadcasting of ManiFeste-2020 concert Voce 1, recorded on September 9, 2020

by Bernhard Lang

Broadcasting of ManiFeste-2020 concert Speech, recorded on September 5, 2020 (binaural mix)

Introduction to TS2, specialized in time-stretching & transposition

Notation et répertoire contemporain du sheng

Webinairs & virtual exhibition around artificial intelligence techniques and human-machine relations

by Luca Francesconi

Certification session open to private candidates

Improve your knowledge and mastery of Max

Discover the courses offered at IRCAM and how to sign up (also broadcast live on Youtube)

sound diffusion by François Bonnet

with Carol Robinson, Hélène Breschand and Louis-Michel Marion

screening and encounter with Éliane Radigue

IRCAM AI x Music garden

music by Olivier Pasquet

music by Aurélien Dumont

music by Daniele Ghisi

with United Instruments of Lucilin

Design installation by Umbrellium and musical creation by Pierre-Yves Macé

by Stefano Gervasoni

by Marta Gentilucci

students of IRCAM Cursus program

students of IRCAM Cursus program

by Rebecca Saunders, Kurt Schwitters, Peter Ablinger, Bernard Heidsieck and Georges Bloch

by Marco Momi, Stefano Gervasoni and Salvatore Sciarrino

by Ashley Fure and Jean-Michel Albert

by Daniel d'Adamo, Ivan Fedele and Philippe Hurel

conception and director by Ingrid von Wantoch Rekowski

by Mikel Urquiza, Rebecca Saunders and Daniele Ghisi with l'Ensemble Musikfabrik

by Jean-Luc Hervé

Geste d’improvisation et analyse corporelle