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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Créations du Cursus








Sat 12 June 2021,
3 p.m., and
6 p.m.
Le CENTQUATRE-PARIS
Atelier 9
Downloads

prg_concert_cursus.pdf

Free, reservation required

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Creation
Concert






Créations du Cursus

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To fully embrace the potentialities of electronics: this is the challenge of this Cursus class that breaks with the tradition of mixed music works. This event in the CENTQUATRE's studios presents the creations of composers who have completed their training in computer-music. These creations take the form of an installation, a purely electronic work, a performance integrating image, spatialization, found objects... The forms and formats vary as well as the relationship to the public. These artistic proposals reveal the diversity of the musical worlds of these artists hailing from Argentina, China, the United States, France, Italy, Japan, Romania, Serbia, and Turkey.

Joshua Hyde saxophone, Olivia Martin percussion, Rémi Schwartz percussion, Vivien Simon tenor, Thea Soti singer, John Stulz viola, Yi Zhou cello
with the participation of Clément Saunier trumpet, Joseph Bona holographic video

Thierry De Mey Composer Associated with the Cursus Program
Simone Conforti, Jean Lochard, Grégoire Lorieux, Mikhail Malt, Sébastien Naves IRCAM educational advisors

Didem Coskunseven, Damian Gorandi, Matteo Gualandi, Jug Marković, Megumi Okuda, Clara Olivares, Alexandru Sima, Yang Song, Jon Yu – premieres 2021

 

Edit
An IRCAM-Centre Pompidou, in collaboration with the Conservatoire national supérieur de musique et de danse de Paris production. With the support of the Sacem. IRCAM and the CENTQUATRE-PARIS are partners for experimental performance projects. The Cité internationale des arts is a partner with IRCAM for the Cursus composers housing.

The 2020.21 Class

person

Didem Coskunseven

Didem Coskunseven
person

Damian Gorandi

Damian Gorandi (Argentine, b. 1991) is currently in the Master’s degree program at the Conservatoire national supérieur de musique et de danse de Paris, in Stefano Gervasoni’s class. His creations are born in the feedback of creative processes between in…
person

Matteo Gualandi

Matteo Gualandi (Italy, b. 1995) began his composition studies in his native city with Daniele Bravi. In 2015 he began his studies at the Haute École de musique de Genève, in the class of Pascal Dusapin, Michael Jarrell, and Luis Naón. In 2020, he earned…
person

Jug Marković

Jug Marković (Serbia, b.1987) approaches music in a deliberately intuitive way. In his compositions he tends to refrain from strict and rigid premeditated concepts and systems and has no extra-musical intentions to his work. He is particularly interested…
person

Megumi Okuda

Megumi Okuda (Japan, b. 1993) first studied singing. She then studied composition at the National University of Music in Bucharest with Dan Dediu and Doina Rotaru, and at the Franz Liszt University of Music in Weimar with Michael Obst. In 2017, she was a…
person

Clara Olivares

Clara Olivares (France, b. 1993) is a French-Spanish composer. The use of electronics in her compositions is characterized both by a desire to serve a dramaturgical purpose—as seen in her chamber opera Mary (2017) where a soprano interprets several chara…
person

Alexandru Sima

Alexandru Sima began by playing the electric guitar and then became interested in classical music, before studying composition at the National University of Music in Bucharest with Doina Rotaru and Dan Dediu and at the Royal College of Music in Stockholm…
person

Yang Song

Yang Song (China,b.1985) received her Doctoral degree in composition at the Central Conservatory of Music in Beijing with Prof. Guoping Jia in 2018, and graduated from Prof. Johannes Schöllhorn’s concert exam master class at the Hochschule für Musik Frei…
person

Jon Yu

Jon Yu (Taiwan-United States, b. 1988) is a Taiwanese-American composer whose works explore notions of ritual, utility, and excess. His works have been performed by ensembles such as Mivos Quartet, Neue Vocalsolisten Stuttgart, Wet Ink Ensemble, AuditivV…
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