The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.
Yang Song (China,b.1985) received her Doctoral degree in composition at the Central Conservatory of Music in Beijing with Prof. Guoping Jia in 2018, and graduated from Prof. Johannes Schöllhorn’s concert exam master class at the Hochschule für Musik Freiburg in 2019. Her pieces got the Théodore-Gouvy-Preis 2019, Reinl-Preis 2019, the international Goethe-Preis of the “Asian Composers Showcase 2018” and were performed by the Germany Radio Philharmonie, the Arditti Quartet... She was commissioned by the Germany Radio Philharmonie, Korean Tongyeong International Music Festival, New York Focus! Festival of Juilliard School, Shanghai International Art Festival and so on. Her contemporary works encompass diverse genres such as orchestral music, chamber music, electronic music, theater music and dance dramas.
Email : Yang.Song (at) ircam.fr