The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Jug Marković (Serbia, b.1987) approaches music in a deliberately intuitive way. In his compositions he tends to refrain from strict and rigid premeditated concepts and systems and has no extra-musical intentions to his work. He is particularly interested in high energy music, intense sound worlds and dense textures as well as eclecticism in stylistic approach.
Marković is the winner of ISCM Young Composers Award 2019 for choral piece "Nirvana" and was performed among others by Ensemble Intercontemporain, Mivos Quartet, Latvian Radio Choir, Gulbenkian Orchestra, Divertimento Ensemble. He is currently under commission of Festival d'Aix-en-Provence. Jug was a composer in residence at Gulbenkian Foundation (PT) as well as Snape Maltings (UK) where he was mentored by Michael Finnissy. He holds MA degree in composition from University of Arts in Belgrade and is also a graduate of archaeology.