• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    • Ircam Amplify
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    • Industrial Licenses
    • Forum Vertigo
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Cursus Program on Composition and Computer Music

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The IRCAM Cursus is a unique computer music training program for young composers. Throughout the year, from October to September of the following year, students will acquire a solid technical autonomy and fluency in several computer programs, oriented towards artistic creation.

Composers will follow courses on IRCAM’s softwares for music composition (Max, OpenMusic, Modalys, TS2, Spat, etc.) in a wide-ranging and productive environment based on exchanges and encounters with researchers, programmers, sound engineers, computer-music designers, and composers working in our labs and studios as well as guest artists, in dialogue with the activities that are at the heart of our institute.

Cursus Syllabus

Led by the composer associated with the Cursus, Pierre Jodlowski, the training also opens the way to an interdisciplinary perspective to composition and features a hands-on approach in studio and collective workshops around image, movement, text and improvisation. Students are encouraged to develop a personal research around these practices, in order to extend their dialogue with other artistic fields. The Cursus is meant to include all practices and approaches that foresee the use of technological medium.

In order to validate the skills acquired throughout the program, during the workshops taking place at the end of each unit, students present their mini projects. These are also meant as preparatory steps towards the production of their final project, which will be presented during the IRCAM season program in September 2024.



Through a partnership with the Conservatoire supérieur de musique et de danse de Paris (CNSMDP), the Haute École de musique de Genève (HEM), the Académie supérieure de musique de Strasbourg-HEAR, the Conservatoire national supérieur de musique et de danse de Lyon (CNSMDL) and the Pôle supérieur d’enseignement artistique Paris Boulogne-Billancourt (PSPBB), students enrolled in a Master’s degree in composition in one of these establishments can follow the first year of their degree in IRCAM’s Cursus program.

IRCAM is a partner of the Cité internationale des arts for the residencies of the composers of the Cursus. Candidates selected for the Cursus have the possibility of having a studio at the Cité internationale des arts for the duration of their training, the monthly fees remaining at their expense.

Over the past 30 years, the Cursus program on composition and computer music has trained 350 composers from 50 different countries. 50 public Cursus performances have been held in our musical seasons.

The 30th anniversary of the Cursus and emerging artists

Cursus Educational Team

Simone Conforti, Jean Lochard, Grégoire Lorieux, Sébastien Naves, Johannes Regnier, Claudia Jane Scroccaro
computer-music designers lecturers
Pierre Jodlowski composer associated with the Cursus
Philippe Langlois education department director
Murielle Ducas educational coordination manager

Public composers (under 35 years old)
Contact 01 44 78 48 17 | cursus (at) ircam.fr

Edit
  • Filippos Sakagian, à l’Ircam, en studio lors de la présentation de l’esquisse de son projet final du Cursus  © Ircam - Centre Pompidou, photo : Murielle Ducas
    Filippos Sakagian, à l’Ircam, en studio lors de la présentation de l’esquisse de son projet final du Cursus © Ircam - Centre Pompidou, photo : Murielle Ducas
  • Workshop d’improvisation et électronique à l’Ircam, en studio  © Claudia Jane Scroccaro
    Workshop d’improvisation et électronique à l’Ircam, en studio © Claudia Jane Scroccaro
  • Adélaïde Ferrière interprète de l’esquisse du projet final de Julie Zhu…, à l’Ircam, en studio  © Ircam - Centre Pompidou, photo : Murielle Ducas
    Adélaïde Ferrière interprète de l’esquisse du projet final de Julie Zhu…, à l’Ircam, en studio © Ircam - Centre Pompidou, photo : Murielle Ducas
  • Séance de travail à l’Ircam, en studio, Filippos Sakagian compositeur et Claudia Jane Scroccaro, réalisatrice en informatique musicale chargée d’enseignement  © Ircam - Centre Pompidou, photo : Murielle Ducas
    Séance de travail à l’Ircam, en studio, Filippos Sakagian compositeur et Claudia Jane Scroccaro, réalisatrice en informatique musicale chargée d’enseignement © Ircam - Centre Pompidou, photo : Murielle Ducas
  • Concert du Cursus, Victor Virnot  © Hervé Véronèse
    Concert du Cursus, Victor Virnot © Hervé Véronèse
  • Concert du Cursus  © Ircam - Centre Pompidou, photo : Déborah Lopatin
    Concert du Cursus © Ircam - Centre Pompidou, photo : Déborah Lopatin
  • Concert du Cursus  © Ircam - Centre Pompidou, photo : Hervé Véronèse
    Concert du Cursus © Ircam - Centre Pompidou, photo : Hervé Véronèse
  • Concert du Cursus  © Ircam - Centre Pompidou, photo : Hervé Véronèse
    Concert du Cursus © Ircam - Centre Pompidou, photo : Hervé Véronèse
  • Pierre Jodlowski, compositeur associé au Cursus  © Gilles Vidal
    Pierre Jodlowski, compositeur associé au Cursus © Gilles Vidal
  • Philippe Langlois, directeur du département pédagogie  © Ircam - Centre Pompidou, photo : Philippe Barbosa
    Philippe Langlois, directeur du département pédagogie © Ircam - Centre Pompidou, photo : Philippe Barbosa

The 2022.23 Class

Selected Composers for Cursus 2022.23

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Masahiro Aogaki

Masahiro Aogaki (Japan, b. 1991) received his Master's degree in composition at the Tokyo University of the Arts, (Tokyo Geidai) studying under Ichiro Nodaïra. In 2017, he was admitted to the Paris Conservatory (Cnsmdp) in Stefano Gervasoni's class, and …
person

Anna Arkushyna

Anna Arkushyna (Ukraine, b. 1989) studied composition at the National Academy of Music of Ukraine with Alla Zagaikevych and Eugene Stankovych and at Kunstuniversität Graz with Beat Furrer and Franck Bedrossian. Her works have been performed at festivals …
person

Omer Barash

Omer Barash’s (Israel, b. 1995) main compositional interests include the exploration of movement and gesture in music. His work is often inspired by Hebrew texts and traditions and the soundscapes that surround him. Barash’s musical education includes st…
person

Henri Colombat

Henri Colombat (France-United States, b. 1997) is a composer of acoustic and electroacoustic music exploring the various possible links between poetic images and sound. While his sonic approach is rooted in experimental and classical music, his creative …
person

Engin Dağlık

Engin Dağlık (Turkey, b. 1987) is a musician who essentially explores the potential of space in his work, by combining different production tools and techniques. He is mostly interested in producing work that aims to recreate and reshape the perception o…
person

Andrew Harlan

Andrew Harlan (United States, b. 1995) is a composer, bassist, improviser, and sound designer. His music exists at the intersections of long-form ambient music, experimental club music, dystopian sound design, chamber music, and electroacoustic improvisa…
person

Simon Kanzler

Simon Kanzler (Germany, b. 1988) is a composer, laptop improviser, and vibraphonist. He has a diverse musical background both as an improviser—originally on the vibraphone and in recent years primarily on his self-made modular software instrument—and as …
person

Jawher Matmati

Jawher Matmati (Tunisia, born 1993) is a composer; he graduated in 2011. with a diploma in Arabic music. He entered the School and University Symphony Orchestra, founded by Hafedh Makni, as a cellist, before becoming its director from 2014 to 2016. In 20…
person

Kirsten Milenko

Kirsten Milenko (Australia, b. 1993) is an Australian composer and conductor. Her music creates acoustic and electronic settings of an immersive and beautifully strange nature. She is represented with the Australian Music Centre as an Associate Artist, a…
person

Tomislav Oliver

Tomislav Oliver (Croatia, b. 1987) is a composer whose aesthetic draws on interdisciplinary influences such as postmodern literature, linguistics as well as the aesthetic of kinetic art. His works revolve around the idea of heterotopic spaces in which mu…

Apply to the Cursus Program

Call for applications closed

Applicants

Applicants must be under 35 years old.
There are no applications fees
General Terms and Conditions

Calendar

  • September 12, 2022: Applications can be submitted;
  • January 6, 2023: Application deadline;
  • January-February, 2023: Selection process;
  • End of February, 2023: Announcement by email of selection results.

Following the selection:

  • Beginning of March 2023: The candidates selected for the Cursus program have to confirm their enrolment by email;
  • March, 2023: Further details of the Cursus program 2023-2024 and general conditions of the training course will be sent to the participants;
  • March-April, 2023:  After the candidate’s acceptance of the terms and enrolment, a contract will have to be signed between IRCAM and the participant, and a deposit of 600 euros will have to be paid before April 28, 2023.

Application File

Your dossier must include:

  • A copy of valid ID or passport
  • A detailed curriculum vitae
  • The list of professional experiences and awards
  •  A cover letter
  • One or several letters of recommendation 
  • Three recent works, at least one with electronics (score, audio recording, video, etc.)
  •  The URL to download a patch for one of your compositions (Max or any other real-time software) from the platform of your choice. Remember to give a permanent URL that does not require a password.

For non-Francophone applicants: a copy of your TEF exam (level B2) or equivalent diploma or any other document proving an equivalent level of oral comprehension.

Conditions for Applicants and Selected Candidates 

10 places are available
Registration fees: 2,000€ (includes the Premium Individuel membership to the IRCAM Forum for 2 years) 

Applicants selected for the Cursus  program must confirm their participation in writing  and commit to take on any other professional engagements during the program. Classes are held at IRCAM from Monday through Friday, from 10am to 1pm and from 2:30 to 5:30pm. There are two weeks of vacation in December for the holidays.

Scholarships

IRCAM does not give out any scholarships or pay for any travel, but can assist you when looking for financial aid. The Cursus program is considered to be continued professional training.
Contact: cursus (@) ircam.fr

Applicants selected for the Cursus program have the possibility, upon request, to be housed at the Cité internationale des arts de Paris. They will have a studio/room throughout the program. Monthly housing fees are paid by the students.

Furthermore, applicants selected for the Cursus program signed up in the Sacem repertory are eligible for a scholarship. Contact the Sacem directly to request a dossier.

Accessibility

For more information about accessibility, please contact us at cursus ( at ) ircam.fr.

Complaints

For any complaints, please contact IRCAM through our online complaint form.


Episodes about IRCAM's Cursus


Previous classes

Cursus 2020.21Cursus 2019.20Cursus 2018.19Cursus 2017.18

Cursus 2016.17Cursus 2015.16Cursus 2014.15Cursus 2013.14

Cursus 2012.13Cursus 2011.12Cursus 2010.11


Also discover

News
Transmission

Creation of a New Chair with Beaux-Arts de Paris: "Supersonic"

News
With the creation of the new Supersonic Chair, the Beaux-Arts de Paris joins the ranks of the Cursus’ educational partners.
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