• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • News
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • Transmission
  • Advanced Programs
  • Cursus Program on Composition and Computer Music
  • Cursus 2018.19
  • Cursus Program on Composition and Computer Music
  • Cursus Syllabus
  • Cursus 2
  • Cursus 2021.22
  • Cursus 2020.21
  • Cursus 2019.20
  • Cursus 2018.19
    • The 2018.19 Class
  • Cursus 2017.18
  • Cursus 2016.17
  • Cursus 2015.16
  • Cursus 2014.15
  • Cursus 2013.14
  • Cursus 2012.13
  • Cursus 2011.12
  • Cursus 2010.11






Cursus 2018.19

Edit






The ten composers who followed this year’s Cursus program on composition and computer music at IRCAM presented their musical creations for soloist and electronics. Ten premieres performed by the musicians of the Conservatoire de Paris and the Haute École de musique de Genève.

Program (in French)

Edit

Cursus Concert, June 18 2019

  1. Au dessus du carrelage de givre by Louis Goldford, 18 June 2019
  2. Technotope by Florent Caron Darras (recorded at the Centquatre, 2019)
  3. Shh ... you’re in the tower I built you by Jialin Liu, 18 June 2019
  4. Unbound explorations by Konstantin Heuer, 18 June 2019
  5. Fascia by William Kuo, 18 June 2019
  6. Trame by Sergio Nuñez Meneses, 18 June 2019
  7. Rapides Diaprés for voice and electronics - by Adrien Trybucki (recorded at the Centquatre, 2019)
  8. Smoke-blackened paper by William Dougherty, 18 June 2019
  9. Nirvana by Francisco Uberto, 18 June 2019
  10. Ça va bien avec comment tu vis for 2 performers and electronics - by Mathieu Corajod (recorded at the Centquatre, 2019)

The 2018.19 Class

person

Florent Caron Darras

Equally sensitive to spectral music as he is to electronic and traditional music (notably Iranian and Japanese music), Florent Caron Darras writes music that questions sonic models, harmony, ornaments, and attacks, inspired even in his titles by the rela…
person

Mathieu Corajod

Mathieu Corajod is a composer of instrumental music, for musical theater and multimedia performances. Author of works performed by the Orchestre de chambre de Berne, the Adapter ensemble, the Interface ensemble, and the Makrokosmos ensemble, he has also …
person

William Dougherty

William Dougherty is an American composer. His works have been performed internationally by ensembles including the Orchestre National de Lorraine (Metz), the Lemanic Modern Ensemble (Geneva), the London Chorus (London), Ensemble Phoenix (Basel), and Tal…
person

Louis Goldford

Louis Goldford is a composer whose works often draw inspiration from auditory illusion, transcription, and psychoanalysis. Recent performances include those by the JACK Quartet, Ensemble Dal Niente, Ensemble Modelo62,
person

Konstantin Heuer

Konstantin played bass guitar in noise rock bands when he was a teenager. He studied composition in Rostock, The Hague, and Stuttgart and afterwards lived in the Shangyuan Art District in Beijing. His artistic sensibilities were influenced by Marco Strop…
person

William Kuo

William Kuo is a Canadian composer established in Vancouver. He constantly renews his listening and questions his influences by observing cultural frontiers and human relationships in light of the collective experience of art.
person

Sergio Núñez Meneses

Sergio Núñez Meneses studied composition at the University of Chili. He also took classes at the Virginia Center for the Creative Arts and at the Institute for Creativity, Arts and Technology in the United States with a scholarship from the University of…
person

Jialin Liu

Jialin Liu went to the Music Middle School Affiliated with the Shanghai Conservatory of Music (SMMS) at the age of 12 and studied composition, piano, and music theory with GUO Liang and LIU Dongmei. Since 2014 has been a Bachelor in composition at the Un…
person

Adrien Trybucki

Adrien Trybucki is a composer of acoustic, mixed, and electronic music. The obsessive quality of his writing can be found in his first works and notably in Cinq Visions for orchestra; a piece that won the Île de créations award in 2014.
person

Francisco Uberto

With a diploma in composition from the National University of Córdoba in Argentina, Francisco Uberto feels the need to explore the formal and discursive limits of contemporary music. His work has been supported by several presitigious fondations since 20…
Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
  • Jobs Offers & Internships
  • The IRCAM team
  • Partners
  • Support IRCAM
Institut de Recherche et de Coordination Acoustique/Musique

go to :
  • Centre Pompidou
  • Legal Notes
  • General Conditions
  • Espace Pro
Copyright © 2023 Ircam. All rights reserved.