The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Sergi Puig (Spain, b. 1989) studied composition at the Conservatori Superior del Liceu in Barcelona with Ramon Humet and Benet Casablancas, graduating with distinction. He completed his training at the Kunstuniversität Graz with a master's degree under Beat Furrer and is currently pursuing a master's degree in theater and music with Annesley Black at the same university. In 2023, he was awarded the Musikförderungspreis by the city of Graz.
His music has been performed at various festivals and in multiple countries by ensembles and soloists such as Quatuor Diotima, Plural Ensemble, Between Feathers, María Alejandra Jiménez, Karera Fujita, and Louis Siracusa-Schneider. He is particularly interested in vocal and scenic music and interdisciplinary projects, among which "Oblivion" stands out. "Oblivion" is an acousmatic work choreographed by Silvia Batet, which won the Premi de Dansa IT 2020 and premiered at the GREC festival in Barcelona in 2021.