The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Emre Eröz (Turkey, b.1995) is a composer whose works explore the potential of complex sounds, drawing inspiration from various musical genres. He enjoys creating sonic narrations that explore the subtle spaces between the artificial and organic, as well as between the future and the past, derived from any found sonority. He began his musical journey by playing the electric guitar, then played in rock and jazz bands before taking up composition.
He holds a B.A. degree in Music Theory and Composition from Bilkent University. Since then, he has actively participated in various concerts, competitions, and workshops in Turkey, Europe, the United States, and Asia. His collaborations include many ensembles and soloists, such as Ensemble Next, Duo Signal, Taller Sonoro, Tokyo Sinfonietta, Spektral Quartet, Oerknal Ensemble, Pre-Art Soloists, and the International Ensemble Modern Academy, among others.
In 2022, he was admitted to the Paris Conservatory (CNSMDP) in the class of Stefano Gervasoni, and he studied new technologies with Yan Maresz, Luis Naón, and Grégoire Lorieux. He received support from the Fondation de France as well as the Foundation Meyer.