The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…
IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.
In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.
Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.
Itziar Viloria (Basque Country, b. 1997) is a composer, electronics performer, technical producer, and visual artist based between Barcelona and Bilbao. Her interest in various artistic disciplines and mixed music has led her to collaborate with artists with whom she develops her intermedia language during the creative process of composition and performance. Some notable collaborators include Alex Tentor, with whom she currently forms the duo CopDeCap, The Black Page Orchestra, Jordi Oriol, and Lluïsa Espigolé.
As a composer, she has received commissions from Gaudeamus Muziekweek, Gran Teatre del Liceu, Festival Mixtur, Real Filharmonía de Galicia, and the Basque National Orchestra. Currently, alongside her work on personal projects as a composer, she is part of FRAMES Percussion as an electronic performer, serves as the technical producer of the concert series Difraccions, works as a freelance stage manager, and teaches composition in the bachelor program at Taller de Músics (ESEM) in Barcelona.